Thanks to Lorna for the scan! 🙂
– Scans: Marie Claire (UK) – December 2010
Thanks to Lorna for the scan! 🙂
– Scans: Marie Claire (UK) – December 2010
Anna and I have added more scans from UK publications to the gallery, thanks to the ever helpful Lorna!
Claire Foy is featured in The Stage Podcast talking about of course ‘Pulse‘ and ‘Going Postal‘. We learn that she’s finished filming ‘Homeland‘ in Israel. Listen to the lovely interview here.
And the ‘Going Postal‘ Press Pack features an interview with Claire, which was added to our Press Archive:
from TV Choice Magazine (UK) / by Tricia Martin
She made her name as Little Dorrit in the star-studded BBC adaptation of Charles Dickens’ story. Now Claire Foy has come bang up to date as Hannah Carter in BBC3’s pilot drama Pulse. A blood-splattered supernatural thriller, it’s a tale of secret medical experiments, cover-ups and a hospital where anything can happen. We caught up with Claire and her co-star Ben Miles to talk about gore and zombies…
Did you have any idea of how gory this was going to be when you read the script?
Claire Foy: That there was going to be this amount of blood in it? I think we all got our fair amount of blood splattered at us at some point. I don’t know that I approve of gore in general terms. But in this, it’s different.
You only see blood when there are operations. There are no unnecessary spurts of blood. And then when it does happen, it’s not just done for effect. It’s like, ‘Oh my God, I can’t believe what’s happened’.
Ben Miles: I didn’t get splattered by any blood at all. I felt very left out!
Continue reading Claire Foy & Ben Miles, Pulse
from the ‘Going Postal‘ Press Pack
It’s the story of Moist von Lipwig and about him pulling his finger out, really. It’s a very human story, it’s about relationships and you can relate to it; there are a lot of modern references. It’s fantasy, but not a fantasy.
Adora Belle Dearheart…
She’s a badass. She’s hard as nails on the outside and she doesn’t give people much of a chance, but actually, underneath, she’s very vulnerable. She’s had a hard life and she’s a sensitive soul deep down, so there are plenty of moments to play when the mask slips.
Adora works for the Golem Trust and Lipwig’s parole officer is a golem. She’s sort of like a recruitment consultant for them and stands up for their rights. Lipwig wants to learn how to manipulate the golems so that’s when she meets him. After that he’s constantly trying to get a date with her. Both her brother and father have died as the result of a family fortune they lost, and the man she blames for that is Reacher Gilt. She hates him with a passion. It turns out that Lipwig has a plan to bring Gilt down, so that is where it all begins between the two of them…
Continue reading Claire Foy On…
Claire Foy’s upcoming projects ‘Going Postal‘ and ‘Pulse‘ are both featured in the July issue of UK magazine SFX. Find the scans with some lovely shots of Claire in the gallery.
– Scans: SFX (UK) – July 2010
The stars reveal the secrets of Going Postal!
“Adora is a badass!” laughs Claire Foy, who plays the girl Lipwig falls in love with. “She’s hard as nails but vulnerable underneath.”
– Scans: Sky Magazine (UK) – May 2010, with big thanks to Lorna
Claire Foy is featured alongside Olivia Grant and Bonnie Wright in the March 2010 issue of InStyle UK. The photo is brand new and absolutely lovely.
You might recognise her from: Little Dorrit.
What’s next? Going Postal, Season of the Witch, Homeland.
Stellar moment: “A highlight of 2009 for me was working on Season of the Witch with Nicolas Cage — he’s eccentric but also such a lovely, genuine man. I’m gutted that I’ll be working and won’t be able to go to the premiere.”
– Scans: InStyle (UK) – March 2010, thanks to Lorna
– Scans: Daily Mail (UK) – January 15, 2010, thanks to Lorna
Perhaps, when the words Little Dorrit kept coming up during last night’s Emmy Awards broadcast, you were all, “Little who?” Or maybe you filtered out the unfamiliar phrase altogether and have no idea what I’m talking about. But wait! There’s a reason why the BBC-WGBH Charles Dickens adaptation picked up so many trophies, including Outstanding Miniseries plus the writing and directing awards in that field.
I’m not even a Dickens fan like that, but my 19th-century-British-literature-obsessive girlfriend sure is, so I watched the miniseries when it aired this spring. The cast was one of those sprawling BBC ensembles, featuring memorable performances from actors I’d never seen before (Claire Foy, as debtor’s daughter Amy Dorrit) as well as some familiar faces (Matthew “Mr. Darcy” Macfadyen as earnest hero Arthur Clennam, Andy “Gollum” Serkis as creepy villain Rigaud). And the plot — all about wealth and class and massive finance-industry malfeasance — was shockingly relevant in 2009. If you’d like to see a melodramatic TV movie about the Bernie Madoff scandal, you’d probably be better off seeking out Little Dorrit on DVD. It’ll be just as much fun, you’ll get a long-suffering love story at the same time, and you know the production values will be higher with the BBC in charge.
Did any of you catch Little Dorrit when it first aired? How psyched are you to see it having a well-deserved Emmy moment? Or are you looking forward to discovering Little Dorrit now that the Emmys have brought it to your attention?
by Simon Vozick-Levinson
Finally something new to update Claire Foy Source with! 😀
Now that the August issue of the Isleham Informer is out, we have a scan from director Dictynna Hood’s interview that also features two photos from the production. The film is currently in post-production and its storyline is broadly described as a ‘moody psychological love story.’ Co-stars include Benedict Cumberbatch (Atonement), Shaun Evans (Telstar) and Sinead Matthews.
– Scans: Isleham Informer (UK) – August 2009
from Isleham Informer / by Mark Stevens
Isleham proved to be the perfect location for the film ‘Wreckers’ earlier this summer
Unless they were hermetically welded to their TV sets for Wimbledon, village residents will have witnessed the troop of lorries, actors and technicians in the centre of the village that fortnight. ‘Idyllic’ Isleham has been singled out by award-winning director Dictynna Hood as the backdrop to her new film which is due for release in the New Year.
Dictynna said that finding an appropriate setting had proven extremely frustrating, and she had visited numerous villages throughout southern England, but could not find the right atmosphere. ‘Isleham is a working village; it is virtually self-sufficient and owns all the hallmarks of a genuine community. It is perfect’.
The film, which was three years in the writing, was shot against the backdrop of village features such as the Griffin pub, Priory Garage, the Priory itself, the Post Office and the surrounding countryside. About 35 technicians and five central actors, as well as a number of local ‘extras’ completed the Isleham filming in ten days, with another 11 days filming in London and other locations. Shot in Super 16, the storyline is broadly described as a ‘moody psychological love story’. Actors include Claire Foy (Little Dorrit), Benedict Cumberbatch (Atonement) and Shaun Evans (Telstar). Sightings of Johnny Depp proved, alas, to be unfounded (or at least unrelated).
Speaking to local residents I sensed not only the genuine excitement (and attendant gossip), but also a quiet sense of community pride, and that is how I wanted to record those two weeks.
Speaking to Dictynna last week, it seems that the film is attracting commercial interest. She also promises to make available DVD copies of the production that I know would be treasured by many. Watch this space…
If you have anything concerning Claire, be it old or new, please contact us.
– Scans: You (UK) – September 14, 2008
from Variety / by Brian Lowry
Writer Andrew Davies applied his quill pen to adapting a number of Jane Austen novels before tackling Charles Dickens’ “Bleak House,” and he’s back with another sprawling, impeccably cast PBS miniseries, “Little Dorrit.” This Dickens tale includes mystery, romance and dramatically shifting financial fortunes–and at eight hours spread across five nights, there are ample portions of everything. Slow going at first and rushed near the end, it’s nevertheless an absorbing piece of work, reminding us that there are certain things the Brits simply do better.
Although PBS is scheduling “Little Dorrit” across five successive Sundays, as with “Bleak House,” the story is actually told in half-hour chapters. This results in a roller-coaster approach that builds toward those episodic breaks, which requires a bit of getting used to.
Characteristic of Dickens, the story exposes harsh class distinctions in the early 19th century, as well as shadowy financial doings, blackmail and even a big, heartless bureaucracy, the Circumlocution Office, which all makes the author seem a little bit like Nostradamus.
Driving the action is Arthur Clennam (“Frost/Nixon’s” Matthew Macfadyen), who returns from several years abroad with a vague deathbed admonition from his father to “Put it right.” Arthur’s imperious mother (the wonderful Judy Parfitt, in a character much like the one she played in “Dolores Claiborne”), begins to employ a poor seamstress, Amy Dorrit (Claire Foy), who has grown up in debtor’s prison, where her addled father, William (Tom Courtenay), has been held for more than 20 years.
Clearly, Mrs. Clennam is hiding secrets of her family’s past, and Arthur is determined to uncover them–fearing that his family is somehow responsible for the Dorrits’ misfortune.
Unfortunately, the saintly, doe-eyed Amy is a true pearl among swine, a different breed than her dad or her money-grubbing sister (Emma Pierson). Along the way, after winning Amy’s heart with his kindness toward the Dorrits, Arthur falls in love with another–one of several impediments that keep the two apart. The teeming cast also includes Andy Serkis under a Cyrano nose as Rigaud, a murderous French blackmailer with a Pepe Le Pew accent; and Alun Armstrong as Mrs. Clennam’s beady-eyed attendant.
Perhaps the biggest wrinkle from Davies–who has a reputation for tatting up Victorian material–involves the mysterious Miss Wade (Maxine Peake), whose plotting with Rigaud also includes several scenes that strongly imply she’s a lesbian.
Davies could have easily shed (or at least pared down) a few of these subplots without seriously diminishing the story’s grandeur, and after the lengthy windup, the last hour races through tying up the assorted loose ends. Even so, there’s so much gaudy talent on display here that those with an appetite for it won’t be able to get enough, and “Little Dorrit” gives them everything they could want in a big, gloriously messy package.
from Daily Mail / by Richard Kay
AS THE star of the BBC’s sumptuous adaptation of Little Dorrit, fragile actress Claire Foy should be well-warned about the dangers of owing money. But it seems the 24-year-old newcomer (right) believes that out of sight is out of mind when it comes to the [pounds sterling]10,000 student debt she ran up before landing the plum role in the primetime show.
‘The loan I received at the Oxford School Of Drama remains unpaid,’ says Claire, whose father in the Dickensian drama played by Sir Tom Courtenay is locked up in a debtors’ prison. ‘It’s hideously large and I should do something about it now I’ve earned some decent money. But if I get sent a letter which says: “The interest on your student loan has gone up by [pounds sterling]500”, I just stick it in the back of the drawer. Perhaps not the ideal thing to be doing during a credit crunch.’
from Evening Standard Magazine / by Emily Bearn
The star of BBC’s Little Dorrit looks appropriately meek and Dickensian. But the girl who’s going on to Hollywood to star with Nicolas Cage is an actress with great expectations…
All hail the 24-year-old Miss Claire Foy of Southwark, who is set very fair to be the next big thing. She is currently topping the bill in the BBC’s autumn blockbuster, a lavish 15-part production of Dickens’ Little Dorrit, and Vogue has declared that she will be the brightest star of the season, placing her at the top of its list of the 40 hottest phenomena to watch out for. Foy, it claimed, is more desirable than a bijou bag.
I have caught up with her at a hotel bar in Soho, peopled by ornamental Buddhas, to which Foy has been chaperoned by a BBC publicist. They have arrived early, and Foy has discreetly hidden herself away at a table in the corner. Dressed in layers of vests and baggy T-shirts, and with a twinge of estuary in her accent (she grew up in Aylesbury), she’s a far cry from the girl in Little Dorrit‘s chocolate-boxy publicity stills. She looks like a student – which, until she graduated from the Oxford School of Drama last year, is what she was. Even so, she appears remarkably undazzled by the sudden fuss being made of her. ‘It’s all complete bollocks,’ she says emphatically, wresting the lid off a bottle of water. ‘I mean, someone said I was hotter than patterned tights! All that stuff is unreal. It’s like a credit card; it doesn’t mean anything.’
Continue reading Little Claire Foy
from Daily Mail
Claire Foy, who – despite being so good in the BBC TV serial Little Dorrit – has moved quickly to ensure she doesn’t get typecast in angelic roles. Claire is playing a sorceress in Season Of The Witch opposite Nicolas Cage and Stephen Campbell Moore. Shooting begins next week in Hungary. The film is set in the 14th century and features tales of witchcraft, religious intolerance and the Black Death. Meanwhile, Eddie Marsan, who plays Mr Pancks the intrepid sleuth in Little Dorrit, is a Scotland Yard detective in Guy Ritchie’s Sherlock Holmes movie. ‘I’m Starse of the Yard,’ he said at the nominations launch for the British Independent Film Awards, in which he was nominated for his performance as a driving instructor in Mike Leigh’s movie Happy-Go-Lucky.
from Daily Mail / by David Wigg
Sir Tom Courtenay calls her ‘a wonderful discovery’. Matthew Macfadyen says she’s ‘no less than brilliant.’ The trade magazine Screen International lists her as one to watch and Vogue tips her as this autumn’s brightest star.
No wonder 24-year-old Claire Foy is smiling. She has landed the title role in BBC1’s new primetime Dickensian costume drama Little Dorrit – yet a year ago she was a struggling drama student, a complete unknown.
‘How jammy can one girl be?’ she asks, her huge blue eyes widening in astonishment at her own good luck. One of the jobs she undertook to help support herself was working for a film catering company. She would serve up bacon sandwiches to hungry actors and ravenous technicians, and she says it was the most demanding week of her life.
But it was the closest she’d been to fulfilling her dream. ‘I’ve always been an attention seeker,’ she says. ‘I used to put on shows at home, dressing up and roping my cousins in to help, but I always gave myself the best parts.’
Little Dorrit – which attracted an audience of more than six million, following close on the success of Bleak House and Cranford, when it launched last weekend – is packed with two dozen established acting names, but it is young Claire Foy – the ‘angel’ of this gritty love story – who has had to be on call each day for every scene.
Continue reading Don’t let me end up like Sienna Miller
from The Sunday Telegraph / by Daphne Lockyer
She’s on the verge of period drama stardom. But Claire Foy isn’t acting famous, says Daphne Lockyer
When the producers of Little Dorrit first clapped eyes on 24- year-old Claire Foy, they were delighted. At just 7st 12lbs, the hitherto unknown actress who leads the starry cast of BBC1’s new costume drama is so petite, she looks as though she might weigh less than a copy of the Dickens novel. But who better to play a girl whose very name refers to her smallness?
“There were three possible actresses for the part,” says Andrew Davies, who adapted the novel about escaping the misery of debt into 30-minute chunks (tonight’s first episode is an hour-long treat). “But, physically, Claire was perfect. She was the youngest-looking and the smallest. And then we discovered other marvellous things about her” – not least her lack of starriness.
Born in Stockport, Foy grafted hard at acting school, taking factory work to supplement her grant. Today, with her career on the verge of lift-off – Vogue put her top of its annual list of 40 new talents – she still shares a house with five other young actors.
For the latest milestone adaptation of a classic Victorian novel, Little Dorrit’s producers were looking for an actress of the calibre of Anna Maxwell Martin or Ruth Wilson – who, like Foy, had both been ingenues before their award-winning period drama roles.
“When I thought about those actresses, I never put myself in the same bracket,” says Foy. “Mostly, I was thinking: ‘They just don’t give a part like that to someone like me.’ ”
Continue reading Little Dorrit and the next big thing