Archive for the ‘Articles’ Category


Mar 07,2012

Co-Stars about Claire Foy

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Nico Mirallegro who plays footman Johnny Proude in ‘Upstairs Downstairs‘ was interviewed by The Lady:

LT: Setting aside your own natural bias, who’s your favourite character?

Nico: I think Claire Foy has a very intriguing character in Lady Persie. She’s so evil and vindictive. There’s just so much behind her, and she plays her very well, with so much ease.

David Gyasi who plays Victor in ‘White Heat‘ was interviewed by IndieLondon:

Q. And how was working with your fellow cast members such as Sam Claflin and Claire Foy?
David Gyasi:
… Claire Foy is amazing. She quietly goes about her business and she’s lovely. But I really enjoyed working with everyone on this. …



Mar 06,2012

Interview: Claire Foy, actress

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from Scotsman / by Chitra Ramaswamy

WE’RE not going to be able to avoid Claire Foy this month, which is a very good thing. The 27-year-old English actor, recently chosen by PJ Harvey as her rising star of 2012, is on our screens in two flagship BBC series. In one she is very nasty, and in the other she is very nice. Well, very normal anyway.

The first is Upstairs Downstairs, in which Foy has already appeared as Lady Persie, the bonkers, fascist, Nazi-sympathising bad egg of the “upstairs” lot. The second is Paula Milne’s new drama White Heat, an ambitious saga spanning four decades in Britain that promises to do for its young, hip cast what Our Friends In The North did for Daniel Craig, Christopher Eccleston, Mark Strong and Gina McKee. This time Foy plays Charlotte, a red-haired, hot-blooded, middle-class feminist who pitches up at a north London student house in the 1960s.

“She is relatively normal, which is unusual for me,” says Foy. “A lot of the characters I’ve played are a certain way, at a certain moment. Charlotte is just a middle class girl going through life. She has a similar background to me and is even from the same area of Buckinghamshire. It’s terrifying playing someone who is very close to you. You can’t really do anything to prepare. I didn’t know what I was doing. But I’m really proud of it. I think it’s amazing. And I loved playing her. She is this normal, contradictory girl with the most massive balls.”

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Mar 04,2012

More ‘Upstairs Downstairs’ Series 2 Media

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Thanks to the wonderful Lorna I added scans from UK publications to promote ‘Upstairs Downstairs‘ as well as the scans of recently posted interviews with Claire Foy. Stay tuned for a massive ‘White Heat‘ Scan update soon!

Claire Foy (Lady Percy) says: “The eating scenes can be the most difficult because they’re filmed again and again as the food gets colder. And you can’t get drunk – the wine is usually elderflower or grape juice.”

• Source: The Sun Hot TV Buzz

GALLERY LINKS:
- Scans from 2012: Independent Magazine (UK) – February 18, 2012 Many thanks to Lorna
- Scans from 2012: Daily Express Saturday (UK) – February 18-24, 2012 Many thanks to Lorna
- Scans from 2012: The Sun Hot TV Buzz (UK) – February 18-24, 2012 Many thanks to Lorna
- Scans from 2012: Sunday Mirror (UK) – February 19, 2012 Many thanks to Lorna
- Scans from 2012: The Lady (UK) – February 24, 2012 Many thanks to Lorna
- Scans from 2012: The Stage (UK) – March 1, 2012 Many thanks to Lorna
- Scans from 2012: Daily Mail Weekend (UK) – March 3, 2012 Many thanks to Lorna



Mar 04,2012

White Heat: ‘Back in the 60s and 70s, politics was everything’

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from The Observer / by Euan Ferguson

The stars of the new six-part BBC drama reflect on friendships forged in the volatile 1960s

It’s always such a fillip to meet actors who have had fun making a TV series. Perhaps fun isn’t the word. White Heat, a six-parter written by Paula Milne and coming soon to BBC2, is a sprawling bittersweet epic marking the lives of seven friends from 1965 to today, and there is angst, and darkness, against some of the fastest-changing times in British history.

But Claire Foy and Sam Claflin, two of the impossibly bubbly young stars, seem to have enjoyed not just fun but the fun of learning. “It’s been an eye-opener,” says Foy, most recently seen in Upstairs Downstairs, “to realise that so many of the things women take for granted were so hard-fought for in the 60s, 70s, 80s. Sam and I start in 1965, and it runs with all the changes, choices, right up till now, though our faces aren’t seen after 1990 – some experienced people take over.”

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Mar 03,2012

‘White Heat’ Claire Foy, Sam Claflin Q&A: ‘It’s an emotional journey’

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from Digital Spy / by Catriona Wightman

Here at Digital Spy, we’re a little bit excited about BBC Two’s brand new drama White Heat! The show focuses on seven students living in a house together in the 1960s… then follows them as they grow up!

We’ll be bringing you chats with the cast every day until the show airs, and first up are the lovely Claire Foy and Sam Claflin, who spoke to reporters when we visited them on set. Read on to find out what they had to say!

Sam, is that your hair? It looks a bit Kevin Keegan!
Sam:
“I wish it was mine! You’re definitely not the first person to say that. It’s of the time, I’m told. It’s a weft. I had no idea what a weft was before we started – it’s become the bane of my life now! They’re basically like clip-on things but they glue them to my hair or my head… I feel like such a diva sitting there having all my make up and hair done! But I’m not the only one, so no complaints.”

What about your hair, Claire – is that a weft?
Claire:
“Yeah. I don’t know where it ends and I begin any more!”
Sam: “We all go through so many looks of different eras. I think they’re just trying to change it up a bit.”

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Mar 03,2012

White hot! Little Dorrit and Upstairs Downstairs star, Claire Foy, stars in new BBC drama. Is there no stopping her?

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from Daily Mail / by Nicole Lampert

Claire Foy leaps onto the bench opposite me, momentarily forgetting she’s wearing a teeny miniskirt. ‘Uggh,’ she exclaims passionately as she tugs at her skirt, doing her best to maintain some dignity. ‘There have been quite a few tricky moments with this outfit and I hate my legs. I can’t wait for the Seventies to start so I can get some trousers on.’

We are on set for Claire’s latest television show, White Heat. She plays a strident feminist called Charlotte in the drama, which follows seven flatmates from their rebellious Sixties student days up to the present. She’s also sporting red hair, which she likes more than the miniskirts. ‘I’ve always wanted to go red so it was great to have to do it for a job,’ she says. ‘But it’s only now that I’ve discovered my hair grows very quickly, so I have to get it dyed ginger every other week.’ Then she laughs so raucously she needs to tug at her skirt again.

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Mar 01,2012

Mad about the Foy

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from The Stage / by Matthew Hemley

With both Upstairs Downstairs and White Heat being screened on the BBC this month, Claire Foy talks to Matthew Hemley about feeling surprisingly comfortable in front of the camera

Claire Foy has been busy filming that much for television in recent months, she needs a reminder about which show it is I’m referring to when I mention I’ve seen the first two episodes of her latest drama.

“Is that White Heat?,” she asks.

Yes, I respond. Although, to be fair, it could easily have been Upstairs Downstairs, which also stars Foy and which is also being broadcast by the BBC this month. Indeed, since taking the title role in the BBC’s adaptation of Little Dorrit back in 2008, Foy has rarely been off our screens.

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Feb 29,2012

Claire Foy about Juliet Stevenson and Tamsin Greig

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White Heat‘ will air a week from tomorrow on Thursday, March 8 at 9pm on BBC2.

“As students they are all really excited about the world and what they can achieve. They are excited about what they can do with their lives, and they really do do something, unlike today’s students, who think being famous or playing Call of Duty on their computer all day is more exciting than actually being out in the world.”

Foy ages over 40 years during the course of the six-part series with the aid of prosthetics, but the highlight for her was seeing Juliet Stevenson playing her older self. ‘I went to see her on stage while I was at drama school, when she was in The Seagull. I remember thinking ‘Oh my God, I want to be able to do what you can do’. And now I am.”

• Source: Radio Times

Claire Foy has joked that her White Heat co-star Tamsin Greig was irked by being cast as her mum.

The two play mother and daughter in the new BBC Two drama, written by Paula Milne, and 27-year-old Claire said Tamsin, 45, pretended to be annoyed by the casting.

She joked: “I think Tamsin was slightly annoyed she’s playing my mum seeing as she’s only about 10 years older than me. I’m playing down in age and she’s playing up in age so it’s alright.”

Claire said the Green Wing actress was “the best mum ever”, and added she had always wanted to work with her.

“I remember seeing her in the Seagull just before going to drama school and I was slightly obsessed with her,” she said.

• Source: Press Association



Feb 27,2012

Hot stuff: Meet the young cast of new primetime BBC drama White Heat

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From The Evening Standard, February 24 / by Stephen Armstrong

When the cast of White Heat come together for our shoot, it feels, for a moment, like seeing the 1980s Brat Pack – Rob Lowe, Demi Moore, Emilio Estevez, Molly Ringwald and co – posing for a poster for their latest cult comedy. In other words, this is a cast that’s going places. Sam Claflin has been on a roll since Pirates of the Caribbean and United; Claire Foy’s screen-burning intensity in Channel 4′s The Promise was one of the performances of 2011, building on her breakthrough role as Little Dorrit; Reece Ritchie shone in Prince of Persia; while Swedish-born MyAnna Buring has a legion of obsessive fans after joining The Twilight Saga.

White Heat feels like the show that will bounce them all into full-intensity red-carpet stardom, much as the outrageously successful Our Friends in the North did for Christopher Eccleston, Daniel Craig, Gina McKee and Mark Strong in the 1990s, and State of Play and Skins did for so many in the 2000s. The drama is an intimate yet epic BBC Two thriller from writer Paula Milne, of The Politician’s Wife and Small Island fame. Milne dripped her own life into the ambitious script, which follows the lives of seven friends from 1965 to the present, starting out as flat-share students in London and ending sprawled in the wreckage of love, loss, drugs and politics 40 years later. Imagine following the cast of Fresh Meat over the next four decades. The actors all say they’re lucky to play complex characters over decades of adventure; Milne says, ‘Me, I think we are lucky to have them.’
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Feb 17,2012

A class act: Claire Foy on criticism, tumours and embarrassing sex scenes

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Her luminous good looks made her the star of Little Dorrit and Upstairs Downstairs. As she prepares to light up our TV screens once again, Claire Foy talks to Gerard Gilbert.

Claire Foy is running late for her interview in the first-floor private dining room of a north London pub, finally phoning to say: “I’m downstairs”. “And I’m upstairs,” I reply, which is all very droll because Foy is of course one of the stars of Upstairs Downstairs, BBC1′s reconstituted version of the Seventies ITV classic about toffs and servants. Except that today the toffs are downstairs, or rather the cast of ‘scripted reality’ show Made in Chelsea are shooting an advert for the fashion chain River Island. “How exciting,” says Foy when she puts her head round the door. “It’s Made in Chelsea downstairs… I can’t believe it.”

What chance the cast of Made in Chelsea returning the compliment: “It’s Claire Foy upstairs… we can’t believe it”? Have they even heard of her? The difference is that while the solipsistic Sloanes are chasing fame for its own sake, celebrity is a by-product of Foy’s job. She is, however, the real class act in this building, a fact momentarily disguised by her munching a Danish pastry from a paper bag. “Breakfast,” she says between bites. “I’m lucky I have a fast metabolism… my whole family does… everyone’s got a lot of nervous energy so we burn it off.” Read the rest of this entry »



Feb 15,2012

Claire Foy on the couch

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from Stylist (UK) / by Lisa Merrick

Sixty Second Therapist – Stylist‘s life coach Lisa Merrick lawless srutinieses one celebrity psyche

The Upstairs Downstairs actress, 27, on making a fool of herself, feeling lucky, and why she’ll never be a celebrity.

Did you always want to be an actress?
Secretly, deep down, I think I did, but I didn’t really think it was something I could do as a job that people would pay me for. It was a massive surprise when I realised I could and was actually doing it. Even now I’m waiting for someone to say, “We don’t want you anymore. No-one wants to see you.” I’m waiting to be found out.
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Feb 14,2012

Quotes from ‘Upstairs Downstairs’ Press Launch

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From Life of Wylie:

I attended the London press launch for the new series last month.

Where we were shown the first episode, which begins in September 1938 with Sir Hallam worried about events in Hitler’s Germany.

Writer and executive producer Heidi Thomas then took part in two Q&A sessions with fellow executive producer Faith Penhale, who is also Head of Drama at BBC Wales.

The first included the Upstairs cast and the second the Downstairs.

Q: We understand that Lady Persie is rather naughty in this series. How naughty does she become?

Claire Foy (Ladie Persie): “As naughty as it’s possible to get, I think.”
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Dec 29,2011

From Dickens to phone hacking: Actress Claire Foy talks heroes and villains

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She lit up the screen as Little Dorrit – now Foy is taking on the role of a tabloid editor.

by Alice Jones

For a British actress, tying the ribbons on a period drama bonnet for the first time is an important rite of passage. For Claire Foy, though, the occasion was particularly memorable. In 2008, aged just 24, she landed the lead role in Andrew Davies’ 14-part adaptation of Little Dorrit, having previously appeared only in the pilot of Being Human and in a single episode of Doctors. All of a sudden, she was being directed by her teen idol. “I’ve seen Pride and Prejudice about 4,000 times. I’m not joking: I know every single line. I used to go round to my Aunty Cath’s house and we’d all sit under the duvet and spend all day watching the whole thing. I was obsessed,” she says. “So when I first saw my bonnet, I was like, ‘Are you kidding me?’” Read the rest of this entry »



Nov 21,2011

Dazed & Confused Scan

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In an explosive finale to Dazed & Confused’s 20th Anniversary season, magazine co-founder Rankin has photographed a series of 20 covers for the December issue, featuring new portraits of 20 iconic cover stars from Dazed’s past including Kate Moss, Tilda Swinton, Alicia Keys and Jarvis Cocker. Each unique cover has a gatefold pull out, which features 20 rising stars chosen by each celebrity, resulting in a groundbreaking portrait of pop culture heroes of the future. Claire Foy was PJ Harvey’s choice.

GALLERY LINK:
- Scans: Dazed & Confused (UK) – December 2011, thanks to Lorna



Jul 13,2011

‘The Night Watch,’ BBC Two

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Written by Jasper Rees

Sarah Waters’ highly praised novels have marched from the page to the screen with regimental regularity and no apparent sacrifice in quality. Tipping the Velvet and Fingersmith, with their big Victorian brushstrokes, were built for television no less than Dickens is. With The Night Watch, adapted last night, her subject was still the love that dare not speak its name. But two things were different. This time Waters’s narrative was compressed into a single film. And it was set in the Blitz, when a modern lady’s drawers could be removed in a flash.

As usual with popular quality fiction, those with a strong loyalty to the original will be posting their objections in the comments box. But clearly this was an efficient filleting by Paula Milne. All the important marks were hit: the terror of discovery for young gay men and women, somewhat alleviated by wartime when everyone was too busy licking Hitler to keep an eye on the same-sex fumblings among pert young flatsharers. In 90 minutes the more sinuous and serpentine coils of Waters’ plotting were sacrificed in the interests of clarity. But something of the structural ambition was preserved as, like Harold Pinter’s portrayal of a love triangle in Betrayal, the story came by its relevations by travelling backwards in time, in this case from 1947 via 1944 and thence to 1941.

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