Categories "Breathe" Articles Videos

Watch Andrew Garfield & Claire Foy Fall in Love and Change the World in ‘Breathe’

By: Hillary Busis

There’s a swoon-worthy romance at the center of Breathe, the beautifully shot period drama that marks the directorial debut of actor Andy Serkis—but that’s only part of the story. The film focuses on Robin Cavendish, a mid-century British tea broker who found himself facing a dire prognosis after being struck by polio at the age of 28. Cavendish was paralyzed from the neck down, at a time when that condition usually sentenced patients to a lifetime in a hospital bed—but he managed to live a full and exciting life all the same, becoming a critical advocate for the disabled and helping to invent a mobile respirator that dramatically improved quality of life for him and other paralyzed people in the process.

The film stars Andrew Garfield as Cavendish and Claire Foy as Diana, his devoted wife—an English rose with a spine of pure steel. You’ll see their love bloom in this new trailer for the film, debuting exclusively on Vanity Fair—and you’ll also see them face extraordinary adversity. Perhaps it’s best summed up in this simple exchange: “You can’t love this,” a despondent Cavendish tells his wife shortly after learning the extent of his paralysis. “Apparently, I can,” Diana replies.

Serkis was inspired to tell the story by someone who was very close to it: his producing partner, Jonathan Cavendish, the son of Robin and Diana. As Serkis told Vanity Fair’s Katey Rich and Mike Hogan ahead of the film’s premiere at the Toronto International Film Festival, he felt a personal connection to the story as well. “My upbringing was very much in a medical world. My father was a doctor in Iraq; he created a hospital for people in Baghdad. My mum taught disabled children, so I grew up with children who had polio and spina bifida, and it’s always been part of my life. These stories, I do feel a vested interest.“

The film, which also features Game of Thrones alum Diana Rigg and Downton Abbey stalwart Hugh Bonneville, opens in limited release October 13, and will expand in the following weeks.

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Categories "Breathe" Articles

Actress Claire Foy praises director of new movie Breathe

by Andrew Ffrench

SCREEN star Claire Foy, who trained as an actress at a West Oxfordshire drama school, has spoken of her leading role in new movie Breathe.

Miss Foy was at Oxford School of Drama in Woodstock on a one-year acting course from 2006 to 2007.

The actress and Andrew Garfield star as Diana Blacker and Robin Cavendish, a British couple who fought for Cavendish’s freedom when he was paralysed by polio.

Golden Globe-winner Foy, 33, who is up for an Emmy on Sunday for The Crown, praised Andy Serkis as director.

She said: “It wasn’t like it was his debut, it felt like he’d done it a thousand times before.”

Breathe is out in UK cinemas on Wednesday, October 4.

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Categories "Breathe" Articles Videos

‘Breathe’s Andrew Garfield On “How We Can Create Lives Of Meaning And Joy” Amidst Tragedy

by Matt Grobar

A pioneer in the field of computer-generated performances with such films as Lord of the Rings (portraying Gollum) and King Kong—in which he plays Kong himself—Andy Serkis found his directorial breakthrough in The Jungle Book, which was pushed to 2018 so as not to conflict with Jon Favreau’s 2016 adaptation of Rudyard Kipling’s classic collection of stories. But no matter—in the meantime, Serkis shot another film, Breathe, which bowed at the Toronto Film Festival this week.

Starring Andrew Garfield and Claire Foy—an Emmy frontrunner for her turn as Queen Elizabeth II in The Crown, that can’t quite process that reality at the moment—the film tells the true story of Robin Cavendish (Garfield), a young man paralyzed by polio, and Diana, the strong, brilliant woman who supported her husband through his deep depression and ultimate acceptance of his fate. With very little expectation of a long life for Robin, he and Diana elect to invent a new life for themselves, straying from Robin’s mandated hospital stay and pioneering in technology to better the lives of those suffering from this terrible condition.

Interestingly, this remarkable true story came to Serkis through his business partner at Imaginarium Productions, Jonathan Cavendish, the son of the couple on display in the film. Known for his work in very different kinds of movies, Serkis made a passionate pitch to direct the film. “Five or six years ago, we started Imaginarium [Productions]. It was a performance capture studio and a production entity with the view to creating lots of different projects, ‘next generation storytelling’ sort of projects, and then we had an old slate of films that he was wanting to make. One of these films was a film called Breathe, which he’d been working on for some time before we got together,” Serkis explains. ” I read it one night and, as most people did who read the script originally, I couldn’t stop crying. It was just so powerful, such a brilliant piece of writing, and I said to Jonathan, ‘I know I’m sort of more known for directing dwarves, goblins and creatures of Middle-earth, and jungle animals, but I really would love to direct this. What do you think?’”

“He said, ‘Absolutely’—without a blink, he just said, ‘Yeah,’” the director remembers. “So we started to develop it, and what I loved about it—what really inspired me to want to do it, actually, apart from the fact that it was the most amazing love story—was that it seemed to me to be a story about pioneering. At that point in the story when Diana says, ‘How can I make life better for you?’ and he says, ‘Get me out of here,’ from then on, they are basically creating life afresh in a way that had never been done before.” Continue reading ‘Breathe’s Andrew Garfield On “How We Can Create Lives Of Meaning And Joy” Amidst Tragedy

Categories "Breathe" Articles Videos

Toronto: Andy Serkis Says ‘Breathe’ Is a “Metaphor for Our Times”

by Etan Vlessing

The ‘Lord of the Rings’ star said his drama about a real-life couple who overcome huge challenges is “about the power of love.”

Lord of the Rings star Andy Serkis on Tuesday said his directorial debut, Breathe, is an inspiring tale of struggling against adversity, not a dark take on disaster.

“We were elevating not just a story of survival, but creating a metaphor for our times, about the power of love,” Serkis said of his drama about British advocate for the disabled Robin Cavendish. The film, starring Andrew Garfield and Claire Foy, follows Cavendish after he was paralyzed with polio at the age of 28 and given just three months to live.

Against all advice, his wife Diane brought him home from the hospital and inspired him to lead a long and fulfilled life. Serkis said Diane Cavendish’s staying with her husband when she had the option to leave was an act of love that lay at the foundation of Breathe.

“Nowadays it’s so easy to walk away. We live in a massive throwaway world. We are so alienated from one another now,” he told reporters at the TIFF press conference. “That’s why I found the power of this film so strong. It’s a reminder of what true love actually is,” Serkis added. Continue reading Toronto: Andy Serkis Says ‘Breathe’ Is a “Metaphor for Our Times”

Categories "Breathe" Articles Videos

‘Breathe’ Could Return Andrew Garfield to Oscars for Second Consecutive Year

by Scott Feinberg

The ‘Hacksaw Ridge’ nominee plays Robin Cavendish, a man stricken in his prime with polio, opposite ‘The Crown’ star Claire Foy in Andy Serkis’ directorial debut.

Breathe, a film that once upon a time would have been called “a four-hanky picture” and starred Walter Pidgeon and Greer Garson, could return Andrew Garfield to the Oscars as a best actor nominee — just a year after he landed his first Oscar nomination, in that category, for Hacksaw Ridge — for playing another real-life hero. And it might bring The Crown’s Claire Foy along for the ride, too, in the best actress or, more likely, best supporting actress category.

Andy Serkis’ feature directorial debut, which chronicles the life of Robin Cavendish (Garfield) — a British man who was stricken in his prime with polio but, thanks to the tireless support of his wife Diana Cavendish (Foy), son Jonathan and friends, persevered to an extent that no person with polio ever had before — premiered at the Toronto International Film Festival on Monday, leaving most of those in Roy Thomson Hall sniffling and then standing in applause when the cast and some of the people they portray were acknowledged. Continue reading ‘Breathe’ Could Return Andrew Garfield to Oscars for Second Consecutive Year

Categories "Breathe" Articles

‘Breathe’ Review: Andrew Garfield and Claire Foy Give Heartwarming Performances — TIFF

Breathe’ Review: Andrew Garfield and Claire Foy Give Heartwarming Performances in Andy Serkis’ Tearjerking Directorial Debut — TIFF

Garfield delivers a tricky physical performance in Serkis’ gorgeous directorial debut.

Eric Kohn

Breathe” sets out to offer a very specific kind of emotional experience and never wavers from that goal. The swooning period piece from director Andy Serkis tracks the decades of survival by Robin Cavendish (Andrew Garfield), a man stricken with polio in the ’50s who survived on a breathing machine for some 40 years, and the devotion of his wife Diana (Claire Foy) who stuck by his side that entire time. It’s a gorgeous, romantic drama that earns its emotional resonance without venturing beyond the most familiar beats.

The movie may not register as the most obvious choice of a debut for Serkis, best known as Hollywood’s preeminent motion-capture performer, whose credits range from Gollum in “The Lord of the Rings” to Caesar in the “Planet of the Apes” trilogy, but its elegant, old-fashioned appeal shrouds the sophisticated performance at its center. Garfield, who spends the majority of the movie moving only his head and face, gives the most ambitious performance of his career and pretty much pulls it off. The obvious precedent, Eddie Redmayne’s deteriorating physical condition as Stephen Hawking in “The Theory of Everything,” certainly has a more chamelonesque power — but Garfield’s performance resonates in its own gentler way, giving credibility to his character’s resilience that elevates the movie above the constant threat of mawkish extremes.

Serkis and screenwriter William Nicholson waste little time establishing the relationship between Robin and Diana, who meet on the road while Robin still enjoys a career in the export business. They’re still traveling around, enjoying a carefree existence, when a sudden attack leaves him bedridden and diagnosed with only a few months of life left. It’s here that Diana takes charge, keen on bringing Robin home to care for him there despite doctors’ claims that moving him will precipitate his demise. The couple’s decision to take a gamble on moving him to a more comfortable location becomes the first of several exciting moments where they take control of the situation at great risk.

Unlike Hawking, Robin isn’t some otherworldly genius when the illness takes hold, and so the scope is simpler, with the movie focusing almost entirely on his devotion to survival. From the bleak paralysis of the first act, Robin’s world keeps opening up, and in due time he’s eagerly collaborating with inventor Teddy Hall (Hugh Bonneville) to construct a mobile version of his breathing machine that liberates him from the bedroom.

The couple eventually enjoy magical sunsets across Europe, become parents, and launch spectacular careers as activists helping to improve the lives of polio victims around the world. Produced by the Cavendishs’ now-grown son Jonathan, the movie has a hagiographic air throughout, as if incapable of showing any negative aspects of the couple’s story without finding its way back to another painterly image or upbeat moment. Serkis gains confidence in the material as he moves along, speeding through the decades (and aging his young actors to less-than-credible results in the process) and eventually giving Garfield the chance to deliver a few rousing speeches to bring the drama home. Continue reading ‘Breathe’ Review: Andrew Garfield and Claire Foy Give Heartwarming Performances — TIFF

Categories "Breathe" Articles

The story behind Andrew Garfield and Claire Foy disability drama ‘Breathe’

BY MARK SALISBURY

Hatfield House in Hertfordshire has stood in for Wayne Manor (Batman) and Lara Croft’s ancestral pile (Tomb Raider), as well as being the childhood home of Elizabeth I.

Today, however, the grand Jacobean manor has been transformed into both a 1970s Oxford hospital car park and the interior of a German hotel for Breathe, the remarkable true story of Robin Cavendish (Andrew Garfield) and his wife Diana (Claire Foy) who together battled Robin’s polio, raised their son Jonathan and helped bring about a pioneering change in the treatment and care of people with polio.

“It’s a love story, a story of triumph over adversity, and a story of somebody who loses control of their life and then gets it back,” says producer Jonathan Cavendish, who previously filmed part of Elizabeth: The Golden Age at Hatfield. But what makes Breathe unique is that it also happens to be the story of Cavendish’s parents, and he, himself, is a character in it, played by a variety of actors from baby to 20 year old (Dean-Charles Chapman).

Written by William Nicholson (Shadowlands) and directed by Andy Serkis, Breathe is one of two new films emerging from Serkis and Cavendish’s production company The Imaginarium, alongside horror-thriller The Ritual.

It also marks Serkis’s feature directorial debut. The actor, renowned for his motion-capture performances as Gollum, King Kong and Caesar in the Planet Of The Apes franchise, has directed several shorts and shot second unit on Peter Jackson’s The Hobbit films; he also directed The Imaginarium’s delayed adaptation of The Jungle Book, entitled Jungle Book, prior to Breathe but the VFX-heavy film is still in post and not scheduled for release by Warner Bros until October 2018.

Cavendish had been developing the project with Nicholson for more than a decade when he and Serkis decided in spring 2016 to make Breathe after finding that Garfield and Foy had a window of availability that coincided with their own. Just before Cannes last year, they decided to roll the dice. “We rushed off to Cannes and it was all very bracing,” recalls Cavendish. “It was a bit scary. And we’re a company with resources. It would be very difficult for a small, independent company to have done that.” Continue reading The story behind Andrew Garfield and Claire Foy disability drama ‘Breathe’

Categories "Breathe" Videos

Exclusive Sneak Peek from Breathe

Claire Foy won’t let her onscreen husband’s life be restricted in an exclusive sneak peek from the upcoming biopic Breathe.

In the clip, Foy (The Crown) stars as Diana, the wife of Robin Cavendish, a late advocate for the disabled portrayed by Andrew Garfield (Hacksaw Ridge). Robin was only given three months to live after being paralyzed by polio at the age of 28, and became bedridden in a hospital.

While Garfield’s Robin lies attached to a ventilator, Foy’s Diana prods his doctor, “Can machines like that only work in a hospital?”

When the doctor confirms “it’s just a machine” that simply requires a power source, Diana states, “Robin is going to leave the hospital.”

Diana then confirms to the skeptical doctor that she knows the risks of taking a patient in Robin’s condition out of the hospital. “Yes, yes I do. The risk is that he might die,” she says.

Watch how her husband reacts to his wife’s daring proposal in the full clip above.

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Categories "Breathe" "First Man" "The Crown" "Unsane" Articles Projects

The Crown’s Claire Foy Won’t Be Your Queen Forever

The Netflix star shares what it’s like to play Elizabeth II—and the career-defining roles she’s playing now that her time as a royal is over.

by ADAM RATHE

The British monarchy has been very good to Claire Foy. In the year since the actress first appeared onscreen as a young Queen Elizabeth II in the hit Netflix series The Crown, which in its first season followed the monarch’s glittering, tumultuous life from 1947 to 1955, she has become one of the most watched women in the world. Her career (respectable but not exactly on fire before The Crown) has skyrocketed, she has taken home a Golden Globe for Best Actress in a Television Drama (as well as a Screen Actors Guild Award), and she is, at press time, nominated for an Emmy.

There’s only one small catch in regard to her relationship with Her Majesty. “I would hate the idea of her watching it,” Foy says.

Although some of the world’s finest performers have earned raves playing the queen, and the monarch’s life has been scrutinized for nearly 70 years, Foy is loath to think that her own performance might rankle Elizabeth. “When you’re playing a real person, you never want to be ghoulish,” she says. “I don’t want to pick apart a person. I want to invent someone. So I would hate for her to watch it and think I overdramatized anything.”

And despite reports from the occasionally reliable British tabloids that the series has indeed been viewed in the royal household, Foy swats away the notion, if only for her own peace of mind. “I decided a long time ago that she’d never see it,” she says. “If she ever rings me up and tells me that she’s watched, then I will think differently.” (For what it’s worth, Helen Mirren, perhaps the only other actress so closely associated with the queen, sent Foy a lovely e-mail.)

For the rest of us, watching Foy in The Crown the coming months will be very easy. In December will come back for a second season, picking up at the Suez Crisis in 1956, and in October Foy will take to the big screen opposite Andrew Garfield in Breathe, an affecting, astonishing film based on the true story of Robin Cavendish, a man who contracted polio at age 28 and, against all odds, went on to live a long life as an inventor and advocate for the disabled.

After that she’ll star in Unsane, a hush-hush project that director Steven Soderbergh reportedly filmed entirely on an iPhone, and First Man, director Damien Chazelle’s follow-up to La La Land, which tells the story of astronaut Neil Armstrong and features Foy as his earth-bound wife. Continue reading The Crown’s Claire Foy Won’t Be Your Queen Forever

Categories "Breathe" "First Man" "The Crown" Articles

Claire Foy, From ‘Crown’ Jewels To Golden Globe And Beyond

by Damon Wise

Inspired by UK playwright Peter Morgan’s critically acclaimed 2013 play The Audience—which enjoyed a brief but successful Broadway run in 2015—The Crown proved a surprise hit for Netflix when the series debuted in November of last year. Starting with the marriage of Britain’s Queen Elizabeth II to Prince Philip in 1947, a scant few years before her coronation at the age of 25 in 1952, the 10-part first season served as an origin story for the world’s longest reigning monarch.

It also offered an introduction to actress Claire Foy, who—along with co-stars John Lithgow, as Prime Minister Winston Churchill, and Matt Smith, as her husband Prince Philip—received glowing reviews for her performance, which earned her a Golden Globe just over two months after Season 1 aired. In December, the story will continue, acquainting Her Majesty with dangerous affairs in the Middle East and a more embarrassing scandal closer to home.

How did this part come to you?

It started the usual way – I got sent the script. It was slightly tempered by the fact that I was five months pregnant at the time [in the fall of 2014]. So when my agent mentioned it, I was like, “Do you really think I want to have a three-month-old baby and do a nine-month TV series while I play The Queen of England? Are you insane?” [laughs] So I was reticent about it. But my agent said, ‘They just want to talk to you.”

So I went, and it was nice, and they said, “Would you mind coming back and maybe doing a test?” I thought I’d have to go to LA, because it was Netflix, so I said, “Well, that’s not going to happen, because I can’t fly anymore,” but they said, “No, we can do it in London.” So I went back, and Stephen Daldry and I went over a few different scenes. Then they said, “Do you want to do it?” So it was a bit of an odd experience because at no point did I really consider it a serious possibility. And at no point did I really think that I would be who they were looking for.

What were they looking for in your audition? Were they looking for somebody with a strong resemblance to The Queen?

No. Well, we did do a costume fitting, but obviously, with a giant baby bump it was hilarious, because I was wearing a gown and a wig and a crown—I looked like a pregnant toddler. I think, knowing them now, they just wanted someone to discover [the part] with. It was very open. Maybe because I was pregnant, I was just very relaxed. Then, in November, they told me that I’d got it, and we started shooting in the July the following year. We knew that it was commissioned for two series from the off, and that we’d shoot all 10 episodes in one fell swoop. There was going to be no pilot.

What kind of research did you do?

Oh God. I can’t really remember. I think I did what I usually do, which is to buy thousands of documentaries and watch them all, because you can pretend it’s work. And then I got loads of books and read them. Actually, I had a very long time to get used to the idea of playing the Queen. I’ve never really had that before, actually—that expanse of time to get into character. Then we started working with a voice coach, William Conacher, who’s a genius—we couldn’t have made The Crown without him. It all happened very slowly, which was probably a benefit. There was no pressure to make any sudden, mad choices. Continue reading Claire Foy, From ‘Crown’ Jewels To Golden Globe And Beyond

Categories "Breathe" News / Rumors

Hamptons Film Festival: Andy Serkis’ ‘Breathe’ Among First Pics In Lineup

Andy Serkis’ directorial debut Breathe, the period drama starring Andrew Garfield and Claire Foy, has been tapped as the Centerpiece film at this year’s Hamptons Film Festival. The fest, celebrating its 25th anniversary, runs October 5-9 in East Hampton, NY and this morning took the covers off the first part of its lineup. Its the U.S. premiere for Breathe, which will have its world bow October 4 as the opening-night film of the London Film Festival.

Breathe tells the true story about the adventurous and charismatic Robin Cavendish (Garfield), who has his whole life ahead of him when he is paralyzed by polio at age 28 and given just months to live. Against all advice, his wife Diana (Foy) brings him home from the hospital and with devotion and witty determination encourages him to lead a long and fulfilled life. William Nicholson penned the script, and the film will play on Sunday, October 8 as the Sunday Centerpiece with Serkis scheduled to be in attendance.

Fest passes go on sale September 5.

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Categories "Breathe" Videos

Breathe Trailer

Andrew Garfield and Claire Foy Star in a Tale of Love and Polio

The trailer for Breathe plays itself at first like a jaunty period romantic comedy — the type of particularly English comedy of manners we’ve all seen before. “I could ask you to dance, and you could say ‘Well, I don’t feel like dancing,'” says a suit-clad Andrew Garfield. “And I could say, ‘Well, maybe some other time.”

“Or I could just not ask,” he tells Claire Foy, doing her best bashful brit in a ballgown. He grabs her by the hand, and off to the dance floor and a subsequent whirlwind romance they go. They even go for a drive in one of those newfangled automobiles, as people in the ’50s loved to do.

Then comes the almost expected beat where her family doesn’t approve of the courtship. Foy’s character father protests that she hardly even knows the man, and she replies, “The thing is, I just know this is it.”

It’s all very expected and familiar, until, of course, we’re all reminded why people who say “Oh, I was born in the wrong time period. I just wish I could live back then” are completely misguided.

That thing, in this case, is polio. Garfield’s character contracts a nasty strain of the then incurable disease and is relegated to spend the rest of his life in a wheelchair, which totally leaves us with a completely different movie than the first 45 seconds of the trailer had set us up for.

The film is actually based on the real life story of Robin Cavendish, a British tea broker who was paralyzed from the neck down at the age of 28 and set out to become both an advocate and example for the disabled. Initially given just three months to live and told he would never leave the hospital again due to his need to be hooked up to a breathing device at all times, Cavendish sought more and pushed for medical advances that would help him live a fuller life. He went on to travel wildly, remained a devoted husband and father, and picked up an Order of the British Empire along the way.

Garfield takes the part fresh off his first Academy Award nomination, and clearly hopes to keep his string of challenging roles going. Foy meanwhile finds herself as a big screen leading lady for only the second time after 2011’s Wreckers, and the first after her breakthrough role as a young Queen Elizabeth in The Crown.

The film will also mark the directorial debut of Andy Serkis, yes the actor best known for his performance captures roles like Gollum in The Lord of the Rings saga (Serkis actually oversaw filming of Jungle Book before directing Breathe, but the former CGI-heavy film won’t be released until next year).

Breathe is scheduled to open the BFI London Film Festival on October 4th, and then hit select theaters later that month.

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Categories "Breathe" "The Crown" Gallery Public Events

Gallery Update: Scans Update & SAG Awards Additions

GALLERY LINKS:
23rd Annual Screen Actors Guild Awards
Magazine Scans > Scans from 2017 > MMM Magazine – February 2017
Public Events > Events in 2017 > 23rd Annual Screen Actors Guild Awards (Screencaptures)
Interviews/News Segments > E! | 23rd Annual Screen Actors Guild Awards (Screencaptures)
Public Events > Events in 2017 > 23rd Annual Screen Actors Guild Awards Weinstein Company & Netflix After Party
Photoshoots > 23rd Annual Screen Actors Guild Awards (2017)
Movies & Television > Breathe (2017) > Posters & Covers

Categories "Breathe" "The Crown" Articles

Claire Foy On Playing the Young Queen Elizabeth, Raising a Newborn, and Having More Fun as a Blonde

By Jason Chen

If you’ve watched even just an episode or two of Netflix’s The Crown, you’ve likely already fallen under its spell — lush sets, elaborate costumes, stunning cinematography (it’s rumored to be one of the most expensive shows ever produced), but what gives the show its pathos is lead actress Claire Foy, who portrays the first days of Queen Elizabeth with a performance that ranges from naïve to steely to circumspect — often all in the same scene.

Yahoo Style: How did the role come your way?

Claire Foy: Just in the classic way, actually. I just auditioned for it. My agent rang me up and asked, “Do you want to go on a meet?” Of course, at the time I didn’t realize I’d be meeting [director] Stephen Daldry, [writer] Peter Morgan, and Andy Harris, the producer. They’re all quite big wigs. That was a bit scary, but it was just a really lovely chat. I had no expectations of getting it or anything, so I think I was really quite relaxed. It was just really lovely. Then I had a second audition, and then found out that I’d got it, which was a real shock. Really exciting.

How familiar were you with the Queen’s early years?

I think everybody in England and around the world is familiar with her because she’s been around for my entire life — our generation has grown up with her there as a prominent figure. But I wasn’t aware of her as a young mother or anything like that. Obviously, I knew everything about Edward the 8th and the abdication of the throne, and the fact she wasn’t destined to be Queen, but that’s what happened. Her life could’ve been very, very different. I didn’t really know anything about the death of her father and how unexpected it was.

How did you find yourself inhabiting that state of mind?

I think Peter’s scripts are amazing and they do all the work for you, really. Also, I think if you’re grieving or you’re in massive amounts of shock, I think you just take every day as it comes. I don’t think as a character she could’ve thought about the magnitude of what was happening to her and the job that she was taking on and how that would change her life. I think she would’ve had a breakdown. She so obviously didn’t, in public anyway.

Would you say that was the most challenging part of the production?

I had a newborn baby, so-

Oh, my gosh. Congratulations.

Thanks very much. That was quite challenging. Amazing but challenging. It was also one of the biggest jobs I’d done, and there was a lot to get right. It wasn’t just about having an emotional connection to it. It was also about getting the physicality and the voice, and all those things that come with a character, so there was a lot of homework to do as well in order to, when you were on set, be able to be relaxed and just play the scene naturally. It took quite a lot of inhabiting to get to the point where you’re comfortable with that.

Did you work with a coach who helped you do those things?

Yes. William Conacher, who’s the best dialect coach in the world because he didn’t ever say to us, “This is how she sounds. You’ve got to do it.” We all found our collective sounds, which I think is really important, but we also found ourselves in the voices. It wasn’t like we were trying to do an impression because otherwise we’re trying to be perfect the entire time. You’re not going to be able to play a scene, so he was just amazing at giving us little ways in and funny little physical things that distract you from your voice and you end up doing it anyway.

Obviously the Queen has been portrayed on film and in theater numerous times already. Did you feel any pressure from that?

No. Those performances matter because they’re amazing, but I tried not to let them affect me. I watched The Queen very early on, mainly just because it’s a really good film, and I could pretend I was doing research, but luckily, the pressure was off in that way because I was playing her younger and there’s not that much footage or accounts of her when she’s at that age. The pressure to be an identical version of her, I didn’t really feel that so much. I didn’t go and see the play. I would’ve loved to but I just think it would’ve terrified me, if I’d have gone to go and watch those two amazing women do it. I would’ve probably not been able to do the job.

That pressure would be too great! Continue reading Claire Foy On Playing the Young Queen Elizabeth, Raising a Newborn, and Having More Fun as a Blonde

Categories "Breathe" News / Rumors

Andrew Garfield, Claire Foy Join Andy Serkis’ ‘Breathe’

LONDON — “The Amazing Spider-Man” star Andrew Garfield and Claire Foy, who plays “Queen Elizabeth II” in Netflix series “The Crown,” have joined director Andy Serkis’ true love story “Breathe.” The screenplay is written by William Nicholson, who was Oscar nominated for “Gladiator” and “Shadowlands.”

The film is produced by Jonathan Cavendish (“Bridget Jones’s Diary”) and The Imaginarium Studios. Embankment is handling worldwide sales. CAA and Embankment represent the producer for the U.S. sale. The film will be co-financed by BBC Films.

Garfield plays Robin, who is “handsome, brilliant and adventurous.” He is a man with his whole life ahead of him before he is “cruelly paralysed by polio.” Foy will star as Robin’s wife Diana, whose devotion and determination “transcend his disability.” “Together they refuse to be imprisoned by his suffering, travelling the world and transforming the lives of others with their humor, courage and lust for life. A heart-warming and hilarious celebration of bravery and human possibility; a love story about living every breath as though it’s your last.”

Cavendish commented: “Andy is the perfect choice to direct ‘Breathe.’ He is a visionary director with a superb take on this unusual and uplifting material. And above all, he is a superb director of actors.”

Serkis added: “I’m very excited by the prospect of working with Andrew. He is a remarkably gifted actor, capable of finding and expressing the deep emotions experienced by Robin, in spite of his disability. Claire is blessed with a diverse and exceptional range of work and is one of the U.K.’s most respected young actresses — she’s the perfect emotional foil to Andrew’s Robin and brings great strength of character to the pivotal role of Diana.”

The Crown,” which is written by Peter Morgan and is directed by Stephen Daldry, premieres on Netflix in November.

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