After four weeks of rehearsals Claire Foy’s new play Love, Love, Love will open with previews tomorrow at the Royal Court Theatre – Jerwood Theatre Downstairs in London. It’s been extended and now runs until June 9 (one week longer). If you’re in London during the coming weeks why not book a ticket to see Claire Foy perform live? Here’s the trailer (no Claire):
– Stage: Love, Love, Love by Mike Bartlett
from The Telegraph / by Jasper Rees
Claire Foy made her name in a series of superior TV dramas. She talks to Jasper Rees about her new role in ‘Love, Love, Love’ at the Royal Court.
It is and isn’t easy being a photogenic young actress. A certain type of two-dimensional role grows on trees. But finding the kind with extra depth can be more of a challenge. Claire Foy was brought face to face with the way the industry at its most nakedly commercial sees young women when she auditioned for a film in Los Angeles.
“The character was supposed to be ‘the most beautiful girl that Johnny Depp has ever seen’,” she says. “And as I wouldn’t be the most beautiful girl that Johnny Depp has ever seen, I was like, ‘I don’t really know what to do because I’m obviously not right for this part.’ But you go up for it anyway and you don’t get it. I think I’m more suited to playing someone with a chip on their shoulder, probably about not being the most beautiful girl in the world.”
Added high quality screencaptures from episodes 3 & 4 of ‘White Heat‘ which saw Claire Foy’s Charlotte (Charlie) with 70ies-style long hair giving lectures at the university, moving out of the flat and starting to work for BBC World Service while falling out with Jack. Stay tuned for screencaptures of the last 2 episodes.
A couple of weeks ago the second series of ‘Upstairs Downstairs‘ came to a dramatic end as all the different storylines came together. The whole cast gave their best, but in my opinion, it was especially Claire Foy as Lady Persie who had some really strong moments and proved what a great actress she is.
– Upstairs Downstairs, Series 2: Episode 06: Somewhere Over the Rainbow
Sorry for the long absence. But I added loads of new stills and promotional pictures from ‘White Heat‘. Don’t forget to tune in tomorrow at 9pm when the sixth & final episode set in 1990 of ‘White Heat’ airs on BBC Two in the UK.
It’s 1990 and the flat is for sale; Orla organises one last reunion for the flatmates. A brutal revelation has cataclysmic consequences. Back in the present, the last surviving flatmate arrives and the identity of the deceased flatmate is finally revealed.
Tune in tomorrow at 9pm when the sixth & final episode of the second series of ‘Upstairs Downstairs’ airs on BBC One in the UK.
On the eve of war, Beryl and Harry face a race against time to get married. Meanwhile, Mr Pritchard makes a decision which throws the running of the house into chaos, until an old face lends a helping hand. And as Lady Agnes returns to London, a dark discovery has explosive consequences for all inside Eaton Place and changes the landscape forever.
Earlier this week I added screencaptures of last Sunday’s episode of ‘Upstairs Downstairs‘. I have to say, at this point I can’t take anything Sir Hallam says seriously anymore. If he really believes what he’s saying he’s deceiving himself. And kudos to the twist in Lady Persie’s storyline – definitely keeps things interesting though it doesn’t make her more redeeming.
– Trailers & Clips: Upstairs Downstairs
Tune in tonight at 9pm when the third episode set in 1973 of ‘White Heat’ airs on BBC Two in the UK.
In 2012, a fourth former flatmate arrives. In 1973, London is targeted by an IRA bombing campaign. Alan finally makes his long-awaited play for Lilly, while Charlotte’s volatile relationship with Jack implodes and she realises she must move on. Orla faces a family crisis that will haunt her for life.
As 165 Eaton Place prepares for the Annual Servants’ Ball, Mr Pritchard enjoys a romance with fellow servant Miss Whisset, and starts to wonder if there is more to life than service. With war looming, Harry has a proposition for Beryl; however, a shock revelation threatens to thwart their plans. Meanwhile, as Lady Persie and Sir Hallam continue their dangerous affair, Sir Hallam is about to discover just how destructive his actions have been.
– Upstairs Downstairs, Series 2: Production Stills
– Trailers & Clips: Upstairs Downstairs
I added screencaptures from the second ‘White Heat‘ episode. Charlotte was doing quite a lot of observing apart from putting stickers on ads that said ‘This ad degrades women’ or ‘This man degrades women’. I think the episode showed quite well at what personal cost modern ideas come or how political views don’t transcend into personal lives. I feel like the events in 1967 shaped Charlotte and I can’t wait to see where she goes from there.
In last Sunday’s episode of ‘Upstairs Downstairs‘ I was ready to throw things at Sir Hallam and Lady Persie. In my opinion, he was behaving like a spoilt teenager and she was playing games and testing her attraction out of jealousy and general low self-esteem.
Claire Foy is revisiting the Sixties in BBC2 drama White Heat. Next stop? 1990, for a new play about the legacy of the baby boomers.
‘I used to think of period drama as Jane Austen, but it’s recent history as well,’ said Claire, when we discussed the London premiere of Mike Bartlett’s play Love, Love, Love, which will run at the Royal Court from April 27 as a co-production with Paines Plough.
The play is about a couple, played by Victoria Hamilton and Ben Miles, who had a fun time in the Sixties. But when they reach their 60s, their children accuse them of screwing up their lives.
Claire will play their daughter Rosie, who ends up having a mid-life crisis. George Rainsford will play their son Jamie, who lives rent-free at home. Sam Troughton will play their uncle.
Director James Grieve, who is also co-director of Paines Plough, told me that the play explores the view that the baby boomers had it easy compared to today’s generation.
Visit the official site to book your tickets.
from The Guardian / by Emine Saner
Emine Saner meets the flatmates at the centre of White Heat, Paula Milne’s 1960s drama for BBC2
Everything on set is quiet except for a plink-plink-plink sound. “This is a carpet warehouse,” explains Elinor Day, the producer. “The rain comes in, but whenever they fix it, it finds somewhere else to come in.” It is one of those days when it doesn’t feel as if the rain will ever stop.
The actors are hurried from the vast warehouse, where the sets have been built, to their trailers in the car park under huge umbrellas. A great puddle has formed in front of the catering truck and members of the film crew and extras line up to take their turn leaping over it to get to the double decker bus where they eat their lunch behind the steamed-up windows.
Tune in tonight at 9pm when the second episode set in 1967 of ‘White Heat’ airs on BBC Two in the UK.
In 2012, Charlotte is joined by two former flatmates to clear the flat. Back in the late 60s, Lilly faces a terrible personal crisis. And at a violent anti-Vietnam war demonstration Jack and Victor face a challenge that will define their perceptions of each other forever.
Claire Foy talked about ‘White Heat‘ on the radio earlier this week. On Thursday she talked to Richard Bacon on BBC Radio 5 Live and yesterday to Clive Anderson on BBC Radio 4 Loose Ends. I added the Claire bits to the site. I also found & added the full BBC Breakfast interview from Monday.
Excitingly, she mentioned on both occasions that she’s doing a play next. Can’t wait to hear more about that.
from RadioTimes / by Claire Webb
Two stars of the BBC2 drama set between the 60s and the present day discuss coming of age
Paula Milne’s drama White Heat follows seven flatmates across six decades – so did its stars Claire Foy and Lee Ingleby find themselves thinking about their own mortality?
Claire Foy (27) on playing Charlotte – “It’s made me think I’ll have to get some work done!”
Has White Heat made you think about getting older?
It’s made me think that maybe I’ll have to have some work done! To age us, they painted our foreheads and around our eyes with what looked like PVA glue — amazingly realistic but terrifying. I’m sure by the end I had more wrinkles because my skin had been stretched so much. Hopefully, I’ll take a little more care of myself than my character Charlotte does.