THE Homeland star plays King Henry VIII in Wolf Hall, a gripping new BBC drama that reassesses the role of one of history’s arch-villains, Thomas Cromwell
By Vicki Power
Packed with intrigue, sex, scandal, royals and seismic change, the tumultuous tale of how King Henry VIII broke with the Catholic Church in order to marry his second wife, Anne Boleyn, is one of the most thrilling in our history.
It’s no surprise that the story has been rendered on film and television dozens of times and its cast of characters are as well known to us as the Mitchells on EastEnders.
But this week we’ll hear a different spin on the tale. BBC1’s lavish new drama Wolf Hall tells this chunk of English history solely from the viewpoint of Henry’s ruthless right-hand man, Thomas Cromwell.
It’s based on Hilary Mantel’s 2009 Booker Prize-winning historical novel of the same name, in which she controversially recast Cromwell not as the arch-villain of history but as a sympathetic, suave and brilliant fixer to the king whose actions are understandable even when they are incredibly brutal.
“I like stories where people change. And this character changes a lot.” – Mark Rylance
Acclaimed theatre star Mark Rylance tackles the role of Cromwell, with Damian Lewis as the capricious Henry VIII and Little Dorrit’s Claire Foy as ambitious queen-to-be Anne Boleyn.
In the first episode we meet Cromwell as a happily married father of three before he goes to work for Henry VIII. As legal secretary to Cardinal Wolsey (Jonathan Pryce), the former Lord Chancellor, Cromwell is trying to get his beleaguered master restored to the King’s good favour. Wolsey has been cast out after failing to get the Pope to agree to annul his marriage to Catherine of Aragon.
Henry wants to marry Anne and produce a male heir – Henry and Catherine’s only surviving child is Mary, later Queen (or Bloody) Mary. Also, tragedy strikes the Cromwell household as a fatal epidemic claims the lives of his wife, Elizabeth, and two young daughters.
Rylance, best known for his 1995-2005 stint as artistic director of London’s Globe Theatre, says he was drawn to the part after his wife, musical director and composer Claire van Kampen, praised the books to him. “I like stories where people change,” he says. “And this character changes a lot.” Read the rest of this entry »