Archive for the ‘Projects’ Category


Feb 14,2013

Review: Macbeth at the Trafalgar Studios (starring James McAvoy)

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Posted on February 14, 2013 by Poly Gianniba

Should I start at the beginning or the end? The very good or the not so good? Any way you look at it, Jamie Lloyd’s production of Macbeth at the Trafalgar studios (or Trafalgar Transformed as it’s being rebranded) is a play of two halves: until the interval, I was happy to declare it one of the best productions in recent memory. After the interval, it lost momentum and struggled to regain focus.

Some problems in the second half are due to long absences of the protagonist: his name is above the title and his performance shows he deserves it. James McAvoy accommodates the soldier, the husband, the friend and the killer with surprising ease. The words dance out of his mouth fresh and unexpected. His Macbeth is clear eyed about moral consequences though unapologetic about his choices. Apparitions, ghosts and bloody daggers hang around him as much as in him. He fights them as much as he welcomes them. It’s a fearless commanding performance of light and shade, and it fuels the production.

Claire Foy as Lady Macbeth matches his drive and strength. Their first physical contact is of birds beaking each other. Their scene in Act III is full of danger: he can snap her in two, she can throw him in hell. Their every moment together is of tenderness and death.

Read the rest of the review at the original source!



Feb 12,2013

Monarchs of the glen

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James McAvoy and Claire Foy make a murderously attractive pair.
What can they bring to the Scottish play?

Jasper Rees – 10 February 2013

In the British Museum’s Shakespeare: Staging the World show last year, the most gruesome exhibit was a set of iron gags and jagged bridles used for the restraining of witches. Jacobean anxiety about the dire influence of “weird sisters” lives on in the rituals that ­surround Macbeth. The Scottish play, as actors fearfully call it, is back in the West End; and doubtless, at the Trafalgar ­Studios, there will be much spinning, spitting and cursing to counter the usual hexes. But they can be assured of warding off ill fortune at the box office, thanks to the presence of the most attractive young couple to murder their way to the Scottish throne in living memory.

Combine the years of James McAvoy, 33, and Claire Foy, 28, and they’re still five short of Patrick Stewart’s age when he embarked on his award-winning run in the role in 2007. McAvoy’s gingery beard has stripped away some of the ­callowness associated with his performances in The Last King of Scotland, Atonement and The Last Station. “When you meet Macbeth, he’s been away for quite a while,” he suggests, “and I don’t think he’s had access to a shaving kit.” For Foy, though, there’s no getting away from the fact that twice last year — in Love Love Love at the Royal Court and in the BBC’s White Heat — she was thoroughly convincing as a teenager. She should by rights be having a crack at Juliet. Indeed, she once went up for the role at Regent’s Park Open Air Theatre, but the job required her to double up as Gigi. “And I can’t sing to save my bloody life. It was a disaster.” Instead, for her professional Shakespeare debut, she will be given the daggers. Read the rest of this entry »



Feb 11,2013

“Macbeth” Update: Scans, Rehearsals and Promotion Photos

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GALLERY LINKS:
- Sunday Times Culture (UK) – February 10, 2013, thanks to Chuckie
- Macbeth by William Shakespeare – Rehearsals
- Macbeth by William Shakespeare – Promotion



Feb 10,2013

Jamie Lloyd’s Macbeth

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When Jamie Lloyd’s Macbeth opened last night at Trafalgar Studios in London (I’ll get to the performance in a moment, but suffice it to say for now–incredible) the audience were made to wait in the foyer because “it’s not set up yet” the usher explained with a funny laugh (the type of laugh reserved for Big Surprises). We were excited, but we were getting more and more cramped. The frisson of curiosity was building. What should we expect?

We were already unsure what to expect before we arrived, as we’ve never experienced Stage Seating at the Trafalgar Studios before. At last we were directed downstairs, past the bar and then further down, past the stage door and then up again into a dystopian warehouse ringed in plush red seats. We were transfixed by the set–they had created a theatre-in-the-round and we, the audience were surrounded by the rusty, dusty, crumbling warehouse. We were all going to be in it together.

The seating was comfortable and as we had a drama student with us we were pleased to be on the aisle because much of the performance spilled into the walkway between the two sets of seats and she could see the actors even more up close—it was a case of moving your feet out of the way to keep from getting stomped on as the actors charged about.

We had been told in the foyer that the performance would start at 7.30 and yet it wasn’t until 7.40ish that it began. But then again, the performance really started the moment we were asked to wait in the foyer–crowds of people waiting in the holding area then directed according to our papers to areas where we would sit and watch the collapse of a man. What you expect to happen doesn’t, and what you don’t expect does. Intended or not, this served to set the scene of discord, surprise and wonder which would continue throughout the play; whether this was a nifty first-night mix-up or an intended device, it worked. Read the rest of this entry »



Jan 23,2013

In rehearsals: “Macbeth”

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Just over two weeks remain before Scottish star James McAvoy takes to the stage in Jamie Lloyd’s highly anticipated production of Macbeth.

William Shakespeare’s dark and powerful tragedy, which will also see Claire Foy take on the role of the tyrannical leader’s ruthlessly ambitious wife, plays at the Trafalgar Studio 1 from 9 February.

But if you can’t wait until then, photographer Johan Persson snuck into rehearsals to give us a look behind the scenes.

(Source)



Jan 05,2013

More about the New West End Production of “Macbeth”

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Jamie Lloyd will direct Shakespeare’s bloody tragedy.

Jamie Lloyd said: “I am thrilled to announce the first production for Trafalgar Transformed – a season of politically-charged power plays on the doorstep of Whitehall, accompanied by a festival of platform events, discussions and readings.

“We hope to welcome new and diverse audiences to the West End and I am very excited to engage with schools and other groups via a series of bespoke workshops and master classes.”

Ambassador Theatre Group (ATG) CEO and creative director Howard Panter added: “As the first production in Jamie Lloyd’s season of work for Trafalgar Transformed, we are thrilled that this bold production of the Scottish play will blast the roof off Trafalgar Studios, bringing an electric energy to this theatre.

“It’s a great pleasure to be starting on this exciting journey with Jamie Lloyd, a truly talented director.”

The production is set in a dystopian Scotland brutalised by war, as Macbeth starts his struggle for power.

Performances will be on Monday to Saturday at 7.30pm, and Thursday and Saturday at 2.30pm.

Tickets are priced from £10 to £54.50, with all tickets £15 on Mondays – half of which are being made available to schools and first-time theatregoers and the other half released monthly on the first of each month.

Source



Jan 04,2013

Claire Foy to play Lady Macbeth opposite James McAvoy

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Claire Foy, who is best known for starring in TV series White Heat and The Promise, will star as Lady Macbeth as part of a season of work directed by Jamie Lloyd at London’s Trafalgar Studios this spring.

She joins previously announced James McAvoy, who will play the title role in the production of Macbeth.

Lisa Gardner, Allison McKenzie and Olivia Morgan will appear as the three witches.

Other cast members will include Jamie Ballard, Graeme Dalling, Kevin Guthrie and Richard Hansell. Forbes Masson, Catherine Murray, Callum O’Neill, Mark Quartley and Hugh Ross will join them.

The show will run from February 9 to April 27, with press night now on February 22. It was previously scheduled for February 19.

Macbeth is produced by Jamie Lloyd Productions, which is a partnership between Jamie Lloyd and Ambassador Theatre Group.

Source

Buy tickets here.



Nov 04,2012

‘Ding Dong the Wicked’ – Head Shot & Production Shots

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GALLERY LINKS:
- Stage: Ding Dong the Wicked by Caryl Churchill – Head Shots
- Stage: Ding Dong the Wicked by Caryl Churchill – Production Shots

Thanks to Lorna for the heads-up.



Nov 04,2012

Theatre review: ‘Ding Dong the Wicked’ at the Royal Court Theatre

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The Royal Court Theatre is renowned for its dedication to new and exciting writing and performance which addresses the issues and complications relevant to the social climate in which we live. Its program of exciting and interesting plays held at the Jerwood downstairs theatre executes their mission statement wonderfully and Ding Dong the Wicked is no exception.

“A child is shut in her room, a dog is dead in the road, someone is kissing her brother-in-law. A family locked in hatred is sending a son to war. And meanwhile in another country…”

Ding Dong the Wicked is a short play written by Caryl Churchill and currently being performed at the Royal Court Theatre in Sloane Square. A punchy and straight to the point piece of performance, the play effectively and efficiently portrays two sides of a scenario using the same dialogue twice and keeps the viewer hocked and intrigued throughout.

The play begins with a set of characters discussing and preparing for a member of the family to leave for war. A rich set of interactions between characters paint a vivid picture of the realities of family life whilst injecting glimmers of humour into the serious subject matter.

The scene appears black and the stage is reversed completely to mirror itself; the same actors then proceed to speak the same dialogue, albeit in an altered order, and act out a completely different set of characters in the same scenario.

The play is showing a direct comparison between the two sides of war. It brings humanity into the subject of war and addresses the one-sided approach people often take. Although different characters are present in the two halves of the performance, the actors, dialogue, props and scenario are all mirrored showing the similarities of opposing sides.

The play is an extremely intelligent piece of writing by Churchill, and is superbly performed by the small pool of company actors. Between the two halves of the performance, the characters are transformed and easily identifiable from their predecessors in the body language, tone and appearance of all the actors involved. A real stand-out performance was by that of Claire Foy who plays “young woman holding a flower” in the first scene and “young woman with a cigarette” in the second. Her transformation and mannerisms perfectly fit each character and lead the performance, guiding the audience through the increasingly similar narrative of the scenes.

An extremely intelligent and entertaining play, Ding Dong the Wicked is a definite must-see, showing at the Royal Court until 13th October. The short play poses a great social commentary and vivid acting all set within the wonderful theatre location which hosts an intimate bar and plenty of things to excite the mind.

Verdict: ••••

Ruth Page

Source



Sep 13,2012

‘Upstairs Downstairs’ Series 2 to Air in US

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The 2nd series of ‘Upstairs Downstairs‘ will finally air in the US on 6 consecutive Sundays, starting in October, on PBS Masterpiece:

October 7, 14, 21, 28 and November 4 & 11, 2012 at 9PM ET/CT



Sep 05,2012

New project: “Ding Dong the Wicked”

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Claire Foy is returning to the Royal Court’s Jerwood Theatre Downstairs next month. She’ll co-star in the 30 minute play ‘Ding Dong the Wicked‘ by Caryl Churchill, directed by Dominic Cooke.

Ding Dong The Wicked, a new short play by Caryl Churchill will run in the Jerwood Theatre Downstairs at the Royal Court between 1 and 13 October as an addition to the Royal Court’s autumn season.

The thirty minute play will be directed by Royal Court Artistic Director, Dominic Cooke and take place around the evening’s performance of Caryl Churchill’s main stage play Love and Information, with matinee and late night showings on certain days.

“There’s nothing I inherited except my father’s hair and his lefthandedness. Everything I got I earned.”

A child is shut in her room, a dog is dead in the road, someone is kissing her brother in law. A family locked in hatred is sending a son to war.

And meanwhile in another country…

The cast includes Claire Foy, Daniel Kendrick, Stuart McQuarrie and Sophie Stanton.
• Source: The Royal Court Theatre Press Release

Visit the official site to book your tickets.



May 03,2012

“Love, Love, Love” Play Press Night After Party & Production Shots

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GALLERY LINKS:
- Stage: Love, Love, Love by Mike Bartlett
- Events: “Love, Love, Love” Play Press Night After Party



Apr 26,2012

“Love, Love, Love” Opens Tomorrow

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After four weeks of rehearsals Claire Foy’s new play Love, Love, Love will open with previews tomorrow at the Royal Court Theatre – Jerwood Theatre Downstairs in London. It’s been extended and now runs until June 9 (one week longer). If you’re in London during the coming weeks why not book a ticket to see Claire Foy perform live? Here’s the trailer (no Claire):

GALLERY LINK:
- Stage: Love, Love, Love by Mike Bartlett



Apr 23,2012

‘White Heat’ Episode 1.05 & 1.06 Screencaptures

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- White Heat: Episode 05: The Eye of the Needle
- White Heat: Episode 06: The Sea of Trees



Apr 18,2012

It’s about time I played someone nice again

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from The Telegraph / by Jasper Rees

Claire Foy made her name in a series of superior TV dramas. She talks to Jasper Rees about her new role in ‘Love, Love, Love’ at the Royal Court.

It is and isn’t easy being a photogenic young actress. A certain type of two-dimensional role grows on trees. But finding the kind with extra depth can be more of a challenge. Claire Foy was brought face to face with the way the industry at its most nakedly commercial sees young women when she auditioned for a film in Los Angeles.

“The character was supposed to be ‘the most beautiful girl that Johnny Depp has ever seen’,” she says. “And as I wouldn’t be the most beautiful girl that Johnny Depp has ever seen, I was like, ‘I don’t really know what to do because I’m obviously not right for this part.’ But you go up for it anyway and you don’t get it. I think I’m more suited to playing someone with a chip on their shoulder, probably about not being the most beautiful girl in the world.”

Read the rest of this entry »





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