Archive for the ‘Projects’ Category


Jul 08,2013

Watch out for…

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Claire Foy, who will feature in Rosewater, written and directed by Daily Show host Jon Stewart. The film will shoot later this month on locations in Jordan and the UK.
Stewart’s movie is an adaptation of the 2011 book Then They Came For Me: A Family’s Story Of Love, Captivity And Survival, and is about the imprisonment in Iran’s notorious Evin prison of Maziar Bahari, an Iranian-born documentary film-maker and journalist who travelled from Canada to cover the 2009 presidential election in Tehran.
Bahari, accused of being a spy for MI6, the CIA, Mossad and bizarrely, Newsweek magazine, was held for 118 days, during which time his wife, Paola Gourley (Foy), a London-based lawyer, was experiencing a complicated pregnancy. Gael Garcia Bernal will portray Bahari, with Shohreh Aghdashloo as his mother.
Rosewater refers to the scent favoured by Bahari’s interrogator. Bahari had appeared on Stewart’s show before his Iranian ordeal.

Source



May 11,2013

Claire Foy Joins ‘Vampire Academy: Blood Sisters’

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The Official Vampire Academy Movie Facebook page announced yesterday that Claire Foy has been cast to portray Sonya Karp, a Moroi who teaches at St. Vladimir’s Academy.

Filming will begin in London the week of May 27. The cast currently includes Lucy Fry, Zoey Deutch, and Danila Kozlovski as the leads. Cameron Monaghan and Olga Kurylenko have also been added. Mark Waters is directing from a script by Daniel Waters.

Vampire Academy: Blood Sisters‘ is based off of a The New York Times best-selling novel series by Richelle Mead which tells the tale of Rose Hathaway, a 17-year-old girl who has a mental and spiritual bond with her vampire best friend Lissa. The two girls attend a special school for vampires who struggle to retain some humanity while other Vampires become more feral.

Other cast members announced yesterday also include Sami Gayle as Mia and Ashley Charles as Jesse.

Deadline states that Claire Foy is repped by WME and Management 360.



Apr 29,2013

‘Macbeth’ and ‘The Hothouse’ Press Conference

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On Friday, April 19, 2013, the cast of the plays ‘Macbeth‘ – now finished its run – and ‘The Hothouse‘ – opening May 4 – attended a press conference held at the ‘Macbeth‘ set at Trafalgar Studios to mark the changeover in Jamie Lloyd’s Trafalgar Transformed season of plays. Actors present included James McAvoy, Claire Foy, Simon Russell Beale, John Simm and Harry Melling.

Gallery:
– Events in 2013: ‘Macbeth’ and ‘The Hothouse’ Press Conference
– Interviews/News Segments: Trafalgar Studios | Macbeth | Press Conference

Video:
– Events: Press Conferences



Mar 29,2013

Meet the Macbeths (James McAvoy & Claire Foy)

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from ATG’s Magazine / by Imogen Sarre & Jasper Rees

Roughly how old are the Macbeths?

We know they have had at least one child, presumed dead, but beyond that Shakespeare offers no further clue. Such is the trajectory of their moral degradation that audiences, and indeed casting directors, tend not to think of the Thane of Glamis and his wife as still having the bloom of youth on their cheeks. Thus the lead role can happily be taken on by someone in his 60s, as happened with Patrick Stewart when the play was most recently revived in the West End.

But now the Hollywood star James McAvoy brings the zip and springiness of someone known mainly for playing callow young men in the likes of The Last King of Scotland, Atonement and The Last Station. He turns 34 during his run in the role at the Trafalgar Studios, and the latest King of Scotland is joined in matrimony to Claire Foy, who turns 29 in April but looks young enough to have twice played teenagers in 2012: at the Royal Court in Mike Bartlett’s Love Love Love and in the BBC drama White Heat.
Read the rest of this entry »



Mar 09,2013

Video from ‘Macbeth’ Opening Night

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I added screencaptures and a video from ‘Macbeth‘s Opening Night back in February. Also check out the updated sidebar and the special project page for ‘Macbeth‘.

Gallery:
– Interviews/News Segments: Trafalgar Studios | Macbeth | Opening Night

Video:
– Events: Premieres



Mar 08,2013

Interview on BBC Radio 4’s Front Row

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Listen to the interview with Claire Foy on Front Row, first aired on February 26 on BBC Radio 4, in which she reflects on the challenges of bringing something new to the role of Lady Macbeth.

Video Archive:
Audio Clips > Interviews



Feb 26,2013

New ‘Macbeth’ Promotion Shot

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GALLERY LINK:
– Stage > Macbeth by William Shakespeare – Promotion



Feb 26,2013

Opening night of ‘Macbeth’ and After Party on Press Night

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Claire Foy (Lady Macbeth) and James McAvoy (Macbeth) attended the after party on press night for Macbeth at One Whitehall Place, London, England on 22nd February 2013.

GALLERY LINKS:
– Events in 2013 > Opening night of ‘Macbeth’ held at the Trafalgar Studios – Departures
– Events in 2013 > After Party on Press Night for ‘Macbeth’, thanks to Nicole



Feb 24,2013

Trafalgar Studios Production Of ‘Macbeth’ – Photocall (Pt. 2)

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James McAvoy and Claire Foy posed for a photocall launching the Trafalgar Studios season with ‘Macbeth‘ on February 21, 2013 in London, England.

GALLERY LINK:
– Events in 2013 > Trafalgar Studios Production Of ‘Macbeth’ – Photocall, thanks to Nicole



Feb 23,2013

After Party on Press Night for ‘Macbeth’

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Claire Foy (Lady Macbeth) and James McAvoy (Macbeth) attended the after party on press night for Macbeth at One Whitehall Place, London, England on 22nd February 2013.

GALLERY LINKS:
– Stage > Macbeth by William Shakespeare – Performances
– Events > After Party on Press Night for ‘Macbeth’



Feb 23,2013

James McAvoy thrills in ‘boyish but brutal’ Macbeth with Claire Foy

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By Claire Allfree
4 out of 5 stars

Macbeth is an apocalyptic play – a drama in which the unnatural actions of one man appear to overthrow the usual order of everything around him. The night Macbeth murders King Duncan and sets in motion his bloody ascent to the throne, Duncan’s horses go mad and start eating each other.

Jamie Lloyd’s brutal production, set in a post independent Scotland that is unlikely to do much for Alex Salmond’s campaign, evokes that sense of desperate, dystopian chaos right from the start.

Scotland is ravaged, torn apart by in-fighting, social breakdown and climate change – the witches wear gas masks. No one seems to have washed for months.

A feral, violent charge hangs in the air. Nearly every scene takes place in what looks like a makeshift bunker. The audience, pressed forward against the stage in this reconfigured auditorium with several rows of seats on the stage itself, is forced right inside this cannibalised, paranoid landscape. You can almost smell the blood. Read the rest of this entry »



Feb 23,2013

James McAvoy’s new Macbeth, set in war-torn Scotland, wins praise from the stars

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Stars of stage, screen and politics have praised a new “bloody” and “intense” West End version of Macbeth.

James McAvoy, who has appeared in hit films X Men and The Lion, The Witch And The Wardrobe, stars as the lead role in the modern take of one of Shakespeare’s darkest plays which opened last night.

Claire Foy, perhaps best known for her role in Little Dorrit, acts alongside him as Lady Macbeth, one of Shakespeare’s most famous female characters.

Former spin doctor Alastair Campbell and actors Rafe Spall, Toby Jones and Jason Flemyng were among guests at the Trafalgar Studios on London’s Whitehall.

The performance was met with a standing ovation, with McAvoy’s proud wife, Anne-Marie Duff, the first to rise to her feet, swiftly followed by the rest of the audience.

The play is director Jamie Lloyd’s first in a season called Trafalgar Transformed.

He said they would be “a season of politically-charged power plays on the doorstep of Whitehall”, accompanied by workshops and masterclasses aimed at school groups. Read the rest of this entry »



Feb 23,2013

James McAvoy in Macbeth, Trafalgar Studios, review

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Jamie Lloyd productions of Macbeth, starring James McAvoy, packs a powerful punch says Charles Spencer.
4 out of 5 stars

The main house of Trafalgar Studios has been reconfigured for a season of plays directed by the fast-rising director Jamie Lloyd which will examine power and politics – appropriately enough for a theatre located in Whitehall.

The stage has been raised by more than two metres, and extended out into the auditorium, bringing spectators closer to the action, and there are 70 additional seats on the stage itself. It all makes for a powerful theatrical impact in this most scary and claustrophobic of Shakespeare’s tragedies.

Macbeth often reads better than it plays. Shakespeare’s thrilling poetry of violence, darkness and fear can seem more potent in the mind’s eye than when it is visibly enacted on stage.

But there is no doubt that Lloyd’s production, set in a post-apocalyptic Scotland which has been laid waste by war and climate change, packs a powerful punch. The cast are dressed in bedraggled clothes that look like rejects from the Oxfam shop, while the Macbeths’ castle, with an on stage lavatory into which Macbeth pukes violently before killing Duncan, is more squalid that a student flat during the Edinburgh Fringe.

My chief grouse is that, with a running time of three hours, the production sometimes misses the hurtling momentum of Shakespeare’s shortest tragedy. Read the rest of this entry »



Feb 23,2013

Opening night of ‘Macbeth’ – Departures

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GALLERY LINK:
– Events in 2013 > Opening night of ‘Macbeth’ held at the Trafalgar Studios – Departures, thanks to Nicole



Feb 22,2013

Macbeth by William Shakespeare – Performances

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GALLERY LINK:
– Stage > Macbeth by William Shakespeare – Performances



Feb 22,2013

Playing Macbeth is my toughest role yet, says action hero James McAvoy

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by Louise Jury

He starred in the action movie Wanted opposite Angelina Jolie, played a telepathic superhero in X-Men: First Class and won the heart of Keira Knightley in Atonement.

But as he prepares to face theatre critics tonight, James McAvoy said playing Macbeth was tearing him apart.

“It’s like being mentally ill and being beaten up a lot. This is undoubtedly the hardest part I’ve ever played,” said McAvoy, 33, of the production in which he is constantly running, fighting and proving himself the bloodied virile soldier.

“I always wanted it to be a physical production because it’s a play that talks about killing people and killing people with your hands. It just so happened that the director Jamie Lloyd seemed to want to go for that with gusto. But be careful what you wish for. Now I’m falling to pieces.”

Lloyd’s version is set in a post-apocalyptic world of environmental disaster half a century in the future, with a dark atmosphere of godless superstition. McAvoy and Claire Foy, 28, who plays Lady Macbeth, are much younger than many of the actors who have tackled the roles — including Ian McKellen, Judi Dench and Patrick Stewart — and McAvoy said their youth “just increases the tragedy of the situation”.

Shakespeare suggests that Lady Macbeth has recently lost a baby and McAvoy sees the notion of “a big hole in their lives” as the fire that drives the drama. “The tragedy of their childlessness is really relevant. They’re at an age where they should have been making babies,” he said. Foy, who starred in Upstairs Downstairs, said: “I think it does add to the vibrancy of the production that we’re younger. He’s a brave warrior. I’m supposed to be a fertile young woman. But we end up throwing our entire lives away.”

The play is the first by Trafalgar Transformed, a partnership between director Lloyd and theatre owner Howard Panter. It runs at the Trafalgar Studios until April 27. Day seats cost £10. www.macbethwestend.com

Source



Feb 22,2013

Trafalgar Studios Production Of ‘Macbeth’ – Photocall

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James McAvoy and Claire Foy posed for a photocall launching the Trafalgar Studios season with ‘Macbeth‘ on February 21, 2013 in London, England.

GALLERY LINK:
– Events in 2013 > Trafalgar Studios Production Of ‘Macbeth’ – Photocall, thanks to Nicole



Feb 19,2013

Review of Macbeth with James McAvoy at Trafalgar Studios

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Review by Peter Brown
16 Feb 2013

Studio 1 at Trafalgar Studios has been ‘transformed’. So announces the programme in bold red letters. Some extra bold red seats have been added at the back of the stage, so that some of the audience have the privilege of rubbing shoulders (almost) with the actors. And the acting area has been extended outwards too so that we all feel a little closer to the action. In fact, some of the audience sitting on-stage, suddenly felt like they might be sitting a little too close. When a torrent of blood came tumbling from on high, it inadvertently splashed several people sitting in the first row or two. One woman in particular caused some mirth among the rest of us as she tried to scrape the detritus from her once-sparkling footwear. Still, this is is what live theatre is all about and if you want to be part of it, you have to accept the odd splash of blood from time to time… apparently.

In this version of ‘Macbeth’ directed by Jamie Lloyd we visit a depressed, dingy and almost totally derelict Scotland. It feels like it could be present day, or maybe some time in the not-too-distant future. Perhaps Mr Lloyd is pointing to what might happen if Scotland leaves the United Kingdom and takes the path of independence. Another possibility is the effect of global warming, or some catastrophic economic disaster. Whatever the possible cause, Scotland is in a parlous state and the population are obviously suffering considerable hardship. Even the children and mums wear gumboots and green military-style dress. And personal hygiene appears to have taken a back seat long ago, and the clothes people wear are heavily soiled and stained. So, there are few signs of comfort in this vision of Scotland, even though there are still cans of beer for soldiers to celebrate with. Read the rest of this entry »



Feb 14,2013

Review: Macbeth at the Trafalgar Studios (starring James McAvoy)

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Posted on February 14, 2013 by Poly Gianniba

Should I start at the beginning or the end? The very good or the not so good? Any way you look at it, Jamie Lloyd’s production of Macbeth at the Trafalgar studios (or Trafalgar Transformed as it’s being rebranded) is a play of two halves: until the interval, I was happy to declare it one of the best productions in recent memory. After the interval, it lost momentum and struggled to regain focus.

Some problems in the second half are due to long absences of the protagonist: his name is above the title and his performance shows he deserves it. James McAvoy accommodates the soldier, the husband, the friend and the killer with surprising ease. The words dance out of his mouth fresh and unexpected. His Macbeth is clear eyed about moral consequences though unapologetic about his choices. Apparitions, ghosts and bloody daggers hang around him as much as in him. He fights them as much as he welcomes them. It’s a fearless commanding performance of light and shade, and it fuels the production.

Claire Foy as Lady Macbeth matches his drive and strength. Their first physical contact is of birds beaking each other. Their scene in Act III is full of danger: he can snap her in two, she can throw him in hell. Their every moment together is of tenderness and death.

Read the rest of the review at the original source!



Feb 12,2013

Monarchs of the glen

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James McAvoy and Claire Foy make a murderously attractive pair.
What can they bring to the Scottish play?

Jasper Rees – 10 February 2013

In the British Museum’s Shakespeare: Staging the World show last year, the most gruesome exhibit was a set of iron gags and jagged bridles used for the restraining of witches. Jacobean anxiety about the dire influence of “weird sisters” lives on in the rituals that ­surround Macbeth. The Scottish play, as actors fearfully call it, is back in the West End; and doubtless, at the Trafalgar ­Studios, there will be much spinning, spitting and cursing to counter the usual hexes. But they can be assured of warding off ill fortune at the box office, thanks to the presence of the most attractive young couple to murder their way to the Scottish throne in living memory.

Combine the years of James McAvoy, 33, and Claire Foy, 28, and they’re still five short of Patrick Stewart’s age when he embarked on his award-winning run in the role in 2007. McAvoy’s gingery beard has stripped away some of the ­callowness associated with his performances in The Last King of Scotland, Atonement and The Last Station. “When you meet Macbeth, he’s been away for quite a while,” he suggests, “and I don’t think he’s had access to a shaving kit.” For Foy, though, there’s no getting away from the fact that twice last year — in Love Love Love at the Royal Court and in the BBC’s White Heat — she was thoroughly convincing as a teenager. She should by rights be having a crack at Juliet. Indeed, she once went up for the role at Regent’s Park Open Air Theatre, but the job required her to double up as Gigi. “And I can’t sing to save my bloody life. It was a disaster.” Instead, for her professional Shakespeare debut, she will be given the daggers. Read the rest of this entry »



Feb 11,2013

“Macbeth” Update: Scans, Rehearsals and Promotion Photos

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GALLERY LINKS:
Sunday Times Culture (UK) – February 10, 2013, thanks to Chuckie
Macbeth by William Shakespeare – Rehearsals
Macbeth by William Shakespeare – Promotion



Feb 10,2013

Jamie Lloyd’s Macbeth

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When Jamie Lloyd’s Macbeth opened last night at Trafalgar Studios in London (I’ll get to the performance in a moment, but suffice it to say for now–incredible) the audience were made to wait in the foyer because “it’s not set up yet” the usher explained with a funny laugh (the type of laugh reserved for Big Surprises). We were excited, but we were getting more and more cramped. The frisson of curiosity was building. What should we expect?

We were already unsure what to expect before we arrived, as we’ve never experienced Stage Seating at the Trafalgar Studios before. At last we were directed downstairs, past the bar and then further down, past the stage door and then up again into a dystopian warehouse ringed in plush red seats. We were transfixed by the set–they had created a theatre-in-the-round and we, the audience were surrounded by the rusty, dusty, crumbling warehouse. We were all going to be in it together.

The seating was comfortable and as we had a drama student with us we were pleased to be on the aisle because much of the performance spilled into the walkway between the two sets of seats and she could see the actors even more up close—it was a case of moving your feet out of the way to keep from getting stomped on as the actors charged about.

We had been told in the foyer that the performance would start at 7.30 and yet it wasn’t until 7.40ish that it began. But then again, the performance really started the moment we were asked to wait in the foyer–crowds of people waiting in the holding area then directed according to our papers to areas where we would sit and watch the collapse of a man. What you expect to happen doesn’t, and what you don’t expect does. Intended or not, this served to set the scene of discord, surprise and wonder which would continue throughout the play; whether this was a nifty first-night mix-up or an intended device, it worked. Read the rest of this entry »



Jan 23,2013

In rehearsals: “Macbeth”

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Just over two weeks remain before Scottish star James McAvoy takes to the stage in Jamie Lloyd’s highly anticipated production of Macbeth.

William Shakespeare’s dark and powerful tragedy, which will also see Claire Foy take on the role of the tyrannical leader’s ruthlessly ambitious wife, plays at the Trafalgar Studio 1 from 9 February.

But if you can’t wait until then, photographer Johan Persson snuck into rehearsals to give us a look behind the scenes.

(Source)



Jan 05,2013

More about the New West End Production of “Macbeth”

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Jamie Lloyd will direct Shakespeare’s bloody tragedy.

Jamie Lloyd said: “I am thrilled to announce the first production for Trafalgar Transformed – a season of politically-charged power plays on the doorstep of Whitehall, accompanied by a festival of platform events, discussions and readings.

“We hope to welcome new and diverse audiences to the West End and I am very excited to engage with schools and other groups via a series of bespoke workshops and master classes.”

Ambassador Theatre Group (ATG) CEO and creative director Howard Panter added: “As the first production in Jamie Lloyd’s season of work for Trafalgar Transformed, we are thrilled that this bold production of the Scottish play will blast the roof off Trafalgar Studios, bringing an electric energy to this theatre.

“It’s a great pleasure to be starting on this exciting journey with Jamie Lloyd, a truly talented director.”

The production is set in a dystopian Scotland brutalised by war, as Macbeth starts his struggle for power.

Performances will be on Monday to Saturday at 7.30pm, and Thursday and Saturday at 2.30pm.

Tickets are priced from £10 to £54.50, with all tickets £15 on Mondays – half of which are being made available to schools and first-time theatregoers and the other half released monthly on the first of each month.

Source



Jan 04,2013

Claire Foy to play Lady Macbeth opposite James McAvoy

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Claire Foy, who is best known for starring in TV series White Heat and The Promise, will star as Lady Macbeth as part of a season of work directed by Jamie Lloyd at London’s Trafalgar Studios this spring.

She joins previously announced James McAvoy, who will play the title role in the production of Macbeth.

Lisa Gardner, Allison McKenzie and Olivia Morgan will appear as the three witches.

Other cast members will include Jamie Ballard, Graeme Dalling, Kevin Guthrie and Richard Hansell. Forbes Masson, Catherine Murray, Callum O’Neill, Mark Quartley and Hugh Ross will join them.

The show will run from February 9 to April 27, with press night now on February 22. It was previously scheduled for February 19.

Macbeth is produced by Jamie Lloyd Productions, which is a partnership between Jamie Lloyd and Ambassador Theatre Group.

Source

Buy tickets here.



Nov 04,2012

‘Ding Dong the Wicked’ – Head Shot & Production Shots

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GALLERY LINKS:
– Stage: Ding Dong the Wicked by Caryl Churchill – Head Shots
– Stage: Ding Dong the Wicked by Caryl Churchill – Production Shots

Thanks to Lorna for the heads-up.



Nov 04,2012

Theatre review: ‘Ding Dong the Wicked’ at the Royal Court Theatre

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The Royal Court Theatre is renowned for its dedication to new and exciting writing and performance which addresses the issues and complications relevant to the social climate in which we live. Its program of exciting and interesting plays held at the Jerwood downstairs theatre executes their mission statement wonderfully and Ding Dong the Wicked is no exception.

“A child is shut in her room, a dog is dead in the road, someone is kissing her brother-in-law. A family locked in hatred is sending a son to war. And meanwhile in another country…”

Ding Dong the Wicked is a short play written by Caryl Churchill and currently being performed at the Royal Court Theatre in Sloane Square. A punchy and straight to the point piece of performance, the play effectively and efficiently portrays two sides of a scenario using the same dialogue twice and keeps the viewer hocked and intrigued throughout.

The play begins with a set of characters discussing and preparing for a member of the family to leave for war. A rich set of interactions between characters paint a vivid picture of the realities of family life whilst injecting glimmers of humour into the serious subject matter.

The scene appears black and the stage is reversed completely to mirror itself; the same actors then proceed to speak the same dialogue, albeit in an altered order, and act out a completely different set of characters in the same scenario.

The play is showing a direct comparison between the two sides of war. It brings humanity into the subject of war and addresses the one-sided approach people often take. Although different characters are present in the two halves of the performance, the actors, dialogue, props and scenario are all mirrored showing the similarities of opposing sides.

The play is an extremely intelligent piece of writing by Churchill, and is superbly performed by the small pool of company actors. Between the two halves of the performance, the characters are transformed and easily identifiable from their predecessors in the body language, tone and appearance of all the actors involved. A real stand-out performance was by that of Claire Foy who plays “young woman holding a flower” in the first scene and “young woman with a cigarette” in the second. Her transformation and mannerisms perfectly fit each character and lead the performance, guiding the audience through the increasingly similar narrative of the scenes.

An extremely intelligent and entertaining play, Ding Dong the Wicked is a definite must-see, showing at the Royal Court until 13th October. The short play poses a great social commentary and vivid acting all set within the wonderful theatre location which hosts an intimate bar and plenty of things to excite the mind.

Verdict: ••••

Ruth Page

Source



Sep 13,2012

‘Upstairs Downstairs’ Series 2 to Air in US

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The 2nd series of ‘Upstairs Downstairs‘ will finally air in the US on 6 consecutive Sundays, starting in October, on PBS Masterpiece:

October 7, 14, 21, 28 and November 4 & 11, 2012 at 9PM ET/CT



Sep 05,2012

New project: “Ding Dong the Wicked”

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Claire Foy is returning to the Royal Court’s Jerwood Theatre Downstairs next month. She’ll co-star in the 30 minute play ‘Ding Dong the Wicked‘ by Caryl Churchill, directed by Dominic Cooke.

Ding Dong The Wicked, a new short play by Caryl Churchill will run in the Jerwood Theatre Downstairs at the Royal Court between 1 and 13 October as an addition to the Royal Court’s autumn season.

The thirty minute play will be directed by Royal Court Artistic Director, Dominic Cooke and take place around the evening’s performance of Caryl Churchill’s main stage play Love and Information, with matinee and late night showings on certain days.

“There’s nothing I inherited except my father’s hair and his lefthandedness. Everything I got I earned.”

A child is shut in her room, a dog is dead in the road, someone is kissing her brother in law. A family locked in hatred is sending a son to war.

And meanwhile in another country…

The cast includes Claire Foy, Daniel Kendrick, Stuart McQuarrie and Sophie Stanton.
• Source: The Royal Court Theatre Press Release

Visit the official site to book your tickets.



May 03,2012

“Love, Love, Love” Play Press Night After Party & Production Shots

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GALLERY LINKS:
– Stage: Love, Love, Love by Mike Bartlett
– Events: “Love, Love, Love” Play Press Night After Party



Apr 26,2012

“Love, Love, Love” Opens Tomorrow

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After four weeks of rehearsals Claire Foy’s new play Love, Love, Love will open with previews tomorrow at the Royal Court Theatre – Jerwood Theatre Downstairs in London. It’s been extended and now runs until June 9 (one week longer). If you’re in London during the coming weeks why not book a ticket to see Claire Foy perform live? Here’s the trailer (no Claire):

GALLERY LINK:
– Stage: Love, Love, Love by Mike Bartlett



Apr 23,2012

‘White Heat’ Episode 1.05 & 1.06 Screencaptures

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White Heat: Episode 05: The Eye of the Needle
White Heat: Episode 06: The Sea of Trees



Apr 18,2012

It’s about time I played someone nice again

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from The Telegraph / by Jasper Rees

Claire Foy made her name in a series of superior TV dramas. She talks to Jasper Rees about her new role in ‘Love, Love, Love’ at the Royal Court.

It is and isn’t easy being a photogenic young actress. A certain type of two-dimensional role grows on trees. But finding the kind with extra depth can be more of a challenge. Claire Foy was brought face to face with the way the industry at its most nakedly commercial sees young women when she auditioned for a film in Los Angeles.

“The character was supposed to be ‘the most beautiful girl that Johnny Depp has ever seen’,” she says. “And as I wouldn’t be the most beautiful girl that Johnny Depp has ever seen, I was like, ‘I don’t really know what to do because I’m obviously not right for this part.’ But you go up for it anyway and you don’t get it. I think I’m more suited to playing someone with a chip on their shoulder, probably about not being the most beautiful girl in the world.”

Read the rest of this entry »



Apr 13,2012

‘White Heat’ Episode 1.03 & 1.04 Screencaptures

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Added high quality screencaptures from episodes 3 & 4 of ‘White Heat‘ which saw Claire Foy’s Charlotte (Charlie) with 70ies-style long hair giving lectures at the university, moving out of the flat and starting to work for BBC World Service while falling out with Jack. Stay tuned for screencaptures of the last 2 episodes.

GALLERY LINKS:
White Heat: Episode 03: The Dark Side of the Moon
White Heat: Episode 04: The Personal Is Political
White Heat: Trailers



Apr 11,2012

‘Upstairs Downstairs’ Episode 2.06 Screencaptures

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A couple of weeks ago the second series of ‘Upstairs Downstairs‘ came to a dramatic end as all the different storylines came together. The whole cast gave their best, but in my opinion, it was especially Claire Foy as Lady Persie who had some really strong moments and proved what a great actress she is.

GALLERY LINKS:
Upstairs Downstairs, Series 2: Episode 06: Somewhere Over the Rainbow





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