HD screencaps of Claire in episodes 2.06 and 2.07 of The Crown have been added to the gallery. Enjoy!
HD screencaps of Claire in episode 2.05 of The Crown have been added to the gallery. Enjoy the new additions!
HD screencaps of Claire in episode 2.04 of The Crown have been added to the gallery. Enjoy the new additions!
HD screencaps of Claire in episode 2.03 of The Crown have been added to the gallery. Enjoy!
HD screencaps of Claire in episode 2.02 of The Crown have been added to the gallery. Enjoy!
2.02 A Company of Men
HD screencaps of Claire in episode 2.01 of The Crown have been added to the gallery. We also recently added posters, stills, and on set photos from The Crown as well as new event and interview images and magazine scans. Enjoy all the new additions and look for more screencaps to be added soon.
By: Shirley Li
Claire Foy made Peter Morgan’s job easy. As Queen Elizabeth II on The Crown, the 33-year-old actress delivered a Golden Globe-winning performance the show’s creator says he depended on throughout the first two seasons of the Netflix period drama. “I don’t have to give her fireworks to make her feel like she’s the epicenter of everything,” he explains. “With Claire, you could push her in any direction. Her comic timing is good, her sense of tragedy is good…. No matter what we gave her to do, she would be able to do it, so that gave me enormous freedom as a writer.”
Though Foy departs the show along with the rest of its principal cast after season 2, she’s already scored her next role, as troubled hacker Lisbeth Salander in the Dragon Tattoo sequel The Girl in the Spider’s Web (slated for 2018). Here, she talks the end of her small-screen sovereignty. (Spoilers for The Crown season 2 ahead!)
ENTERTAINMENT WEEKLY: What was it like saying goodbye to Elizabeth during your final scene?
CLAIRE FOY: It was surreal. It’s very difficult to prepare yourself for that moment. Ultimately what you end up feeling is just sort of confused and that you need to go home and have a lie-down, really.
Season 2 delves deeper into examining Elizabeth’s restraint, even while those around her fail her. What was the key to tapping into that?
I think the moments when Elizabeth really becomes angry is when she’s lied to. She’s been very disappointed by the men in her life for their lack of endurance. She feels left out, and what makes her angry more than anything else in the world is the sense that people aren’t trying their best.
Continue reading Claire Foy looks back on her reign as Queen Elizabeth II
By: Alexandra Pollard
Losing out on a Bafta for the second year in a row was, Claire Foy insists, one of the best moments of her career. She was up for best actress for her role as Elizabeth II in The Crown, and was widely expected to win – but the moment came, and it went to Happy Valley’s Sarah Lancashire instead. “Can I just say,” said Lancashire from the podium, “Claire Foy, you have given me the best 10 hours under a duvet that I’ve ever had.” For Foy, it was better than winning.
“That was, I’m telling you, one of the most ridiculous moments of my life,” she says, beaming. “I mean, I love her. I grew up watching her.” Foy is sitting opposite me, wearing a comfy-looking jumpsuit and scuffed Converse, her hair – now she no longer needs to adopt the Queen’s bouffant do – newly cropped short. “There’s nothing as amazing as a fellow actor saying you’re good.”
We meet a couple of days before Prince Harry and Meghan Markle announce their engagement, a relationship Foy has expressed approval of in the past (“I must speak for actresses,” she said, “We’re not a bad bunch. We’re all right”). She’d had nearly a decade of television roles – she first appeared on screen as a werewolf’s ex-fiancee in Being Human, then later starred in BBC dramas The Night Watch and Wolf Hall – but it was not until The Crown that, she says, people’s perception of her changed. The lavish Netflix series had an unprecedented £100m budget, but the show’s heart and soul was Foy’s compelling, devastating restraint as the young monarch. It is no easy task to play a woman whose main personality traits are, by necessity, detachment and composure, but with just the downward crease of a smile or the flicker of her enormous eyes, Foy hinted at the tumult rippling beneath the Queen’s steady surface.
There has been speculation over whether the royal family have seen The Crown – Foy finds it easier to imagine that they haven’t – but if they do gather round Netflix for season two, it might make for awkward viewing. Beginning in 1956, with the Suez crisis escalating and the British public starting to question the monarchy’s relevance, the season (which is Foy’s last; Olivia Colman will take up the mantle for the Queen’s later years) explores the parts of the royal story we are unlikely to see on a commemorative plate any time soon. We learn of the Nazi affiliations of Edward VIII, the sexual proclivities of Princess Margaret’s disdainful fiance Antony Armstrong-Jones, and – perhaps most shockingly – Prince Philip’s supposed infidelity.
Continue reading Interview with The Crown’s Claire Foy
By: Lisa Armstrong
What happens to an actress once she has played the queen? Does some magisterial DNA rub off on her? Helen Mirren, Kristin Scott Thomas, Judi Dench have all been appointed dames. Only Cate Blanchett, who so magnificently illuminated Elizabeth II’s namesake, Elizabeth I, is yet to receive a title. But since she’s an Aussie and thus, technically, a subject of Her Majesty, there’s still a chance. Besides, Blanchett exudes innate queenliness.
“The role can give you quite a lot back if you let it,” says Peter Morgan, who should know, since he wrote not only The Crown (for TV) and The Audience (for the stage) but also The Queen, the 2006 movie that arguably restored the monarchy’s popularity following Princess Diana’s death. “When Helen was a guest of the Obamas at the White House Correspondents’ dinner,” says Morgan, “everyone else was being mercilessly teased, but the entire room stood up and cheered her. I’m not sure Helen didn’t grow two inches.”
The glow of imminent stardom flickers like Saturn’s rings around Claire Foy, who will be back as Elizabeth Regina in season two of The Crown next month. Directors from Steven Soderbergh and La La Land’s Damien Chazelle to Evil Dead’s Fede Alvarez have lined up to work with the prolific but previously little-known 33-year-old British actress. Far from being in character when we meet for chamomile tea at the chic London members’ club Quo Vadis, she is wearing tortoiseshell glasses, her blondish hair scraped back with visible roots—the remnants of her role in her recent movie Breathe, opposite Andrew Garfield—and a denim jumpsuit from Citizens of Humanity. (There’s no such thing as a bad jumpsuit day in Foy’s book; at the Emmys in September, she arrived in a silver-trimmed black version by Oscar de la Renta.) By the time you read this, she and her jumpsuits will have decamped to Atlanta to film Chazelle’s First Man, which traces America’s determination to get its man on the moon before the Soviets. Foy plays Neil Armstrong’s wife, Janet, opposite Ryan Gosling.
Continue reading Claire Foy on the Second Season of ‘The Crown’, Going Blonde & Early Bedtimes
By: Anne Marie Scanlon
From Tesco to the Tower and after two coronations, actress Claire Foy has never lost her head
As someone who studied history to post-graduate level, reads history books for fun and gobbles up historical fiction, I was beside myself with excitement when I heard the BBC was dramatising Hilary Mantel’s Wolf Hall, the Man Booker Award winner 2009.
Transferring beloved books onto both the big screen and the small is a notoriously tricky task but director Peter Kosminsky’s adaptation was a unanimous hit.
The casting was superb throughout – from the bit players to Mark Rylance as Cromwell and Damien Lewis as Henry VIII.
To my mind though, Claire Foy, who I had never heard of at the time, stole the show as a magnificent, complicated, wholly credible, Anne Boleyn.
Wolf Hall won many awards and although Foy was nominated for several she didn’t get one gong, when really she should have won ALL the awards.
In person Foy is nothing like Anne Boleyn (probably a good thing), she’s petite and bears a passing resemblance to Henry’s second ill-fated wife, but that’s it. The actress tells me that she was as excited as I was when she heard that Wolf Hall was being made into a TV series (we both agree that Hilary Mantel is a “genius”.)
Continue reading The Queen of the Small Screen Goes Big
By: Marion Van Renterghem
The Queen is all secrets, mystery and muffled noise – ostensible blandness and unwavering tradition. Guests of Buckingham Palace must observe the golden rule: talk of politics, religion or gender is forbidden. “It limits conversational scope,” says Belgian journalist Marc Roche, a biographer of the Queen. Roche is almost the only reporter on the planet to have access to the press-fearing Windsors – a much-coveted privilege. A longtime London correspondent for French newspaper Le Monde, he has met the Queen six times. “Each time, she asked me the same three questions,” he says. “How long have you been in the UK? Do you like it? Isn’t it a wonderful place?” Once, she added a fourth. “Do you like my paintings?” A Rembrandt and a Rubens were hanging within arm’s reach, Roche recalls. “They are marvellous, Ma’am,” he replied. “Aren’t they just? My great-great-grandmother Queen Victoria bought them,” she said, before slipping away with small, hurried steps to speak to another guest.
Something unprecedented has happened to the Queen of Great Britain and Northern Ireland. In the Netflix series The Crown, she has become the heroine in a pacey and lavish account of her life, beginning with the final years of her father, George VI, the stammering king. Played by Claire Foy, Elizabeth II is the new star of the American video-streaming platform, which recently topped 100 million subscribers. This year, this blockbuster-budget American-British series took home two prestigious Golden Globes: Best Drama Series and Best Actress for Foy. The ten episodes of The Crown’s first series were released across ten countries simultaneously and critics were universal in their praise. Although Netflix keeps its audience figures close to its chest, its hurry to announce a second series, expected this November, confirms The Crown as a global success.
Read the full article here on GQ.
‘The Queen is really rather like Madonna!’ Actress Claire Foy reveals how her role in The Crown has given her a rare insight into the royals
By GABRIELLE DONNELLY FOR WEEKEND MAGAZINE
The strangest part about having left The Crown, says Claire Foy, is seeing her former cast mates going off to play different parts.
‘It’s a bit weird,’ she says, wrinkling her nose, seeing, for instance, Matt Smith who played Prince Philip go off to star in the action horror film Patient Zero, or Vanessa Kirby who appeared as Princess Margaret join the new Mission Impossible movie.
‘With The Crown we all did something together that was really engrossing and special and mad, and we all became incredibly close as a result. And now on the one hand I can’t wait to see what everyone will do next, but on the other I want to say, “Stop! Why aren’t you making The Crown anymore?”’
Nevertheless, she admits that as much as she’s enjoyed playing the young Queen Elizabeth in Peter Morgan’s sprawling series about the monarchy, after two seasons – the second begins in early December – she felt it high time to hand over the reins to the yet-to-be-named actress who will take Her Majesty into her middle years.
‘I need change,’ she told the Los Angeles Times recently. ‘I need to play somebody who’s able to communicate on a more open level. And that’s not Elizabeth.’
Today, relaxing in a Beverly Hills hotel during a brief visit to Los Angeles, this friendly, vivacious young woman from lower middle-class Stockport – ‘I’m definitely a massive commoner’ she tells me proudly in her light northern accent – could hardly behave less like the reserved monarch if she tried.
‘I’ve been released!’ she announces gleefully. ‘I’m no longer her so I feel like I’ve escaped!’
Claire, 33, says it was for practical reasons that she only signed on to do two seasons of the series.
‘There’s a huge difference between a person when they’re 21 and when they’re 85, so I have to forget playing this part any longer because you have to change at some point – you can’t have a woman of my age playing an 85-year-old!
‘And the change was especially marked for the Queen, because as the years have passed she’s changed massively, both physically and vocally.
‘In the beginning she was very unsure of how the whole thing worked, what her line was between family and duty and so on. But as she grew older her confidence grew, and I should imagine the way the institution is now is exactly how she would like it to be.’ Continue reading ‘The Queen is really rather like Madonna!’ Actress Claire Foy reveals how her role in The Crown has given her a rare insight into the royals
Claire won’t be reprising her role after season two because she’s too young to convincingly play the Queen into the 1970s.
BY KATIE ROSSEINSKY
It seems that Claire Foy already knows which actress is next in line to take on the role of Queen Elizabeth II in The Crown – sadly, for fans of Netflix’s lavish royal drama, she’s dropped only the most subtle of hints…
With the hit show’s first season showing the monarch as a young woman in her twenties, balancing the public and political demands of her new royal role while dealing with upheaval in her personal life, and the forthcoming second season presenting Elizabeth in her thirties, Claire has now said goodbye to the part – for the simple reason that, at 33 years old, she’s too young to convincingly play the Queen into the 1970s.
At the press conference for her latest film Breathe, a period drama co-starring Andrew Garfield which debuted at the London Film Festival earlier this week, the actress confirmed that she has been told who will succeed her as the Queen in the show’s third season.
Luckily, it seems that she is pretty happy with the show-runners’ choice of replacement (though unlike Claire, we’ll presumably have to wait until next year – or until the second series’ December release date, at the earliest – to find out…)
“I know who’s doing it and I’m not telling you,” she told reporters, adding “It’s really exciting and great and amazing”
Alluding to her limited run on the show, she explained: “I always knew from the get-go that I was only going to be doing two series. I’m just very grateful that I have had such a wonderful time playing that part and made friends for life.”
Claire’s cast mates Matt Smith (who plays her on-screen husband, Prince Philip) and Vanessa Kirby (who plays Princess Margaret) will also be replaced by new stars in the third season which, though it is yet to be officially confirmed by Netflix, is thought to currently be in developmental stages. Until then, we’ll be counting down the days until season two arrives on our Netflix dashboards…
BY JESSICA EARNSHAW
Meanwhile, Breathe sees her star in the true life story of Diana Cavendish, who helped her husband Robin live a happy and loving life after he was paralysed by polio.
Speaking about the film, Claire said: “I’m so proud of this film and I’m so proud it’s showing in London.
“It never really felt like we were making a film, it was like we were in some sort of magical story.”
Claire starred alongside Andrew Garfield and speaking of their relationship on set, she added: “A dream… Unfortunately. He’s amazing. I love him and hope we’ll be friends forever.”
Showrunner Andy Harries believes that the BBC would have found it difficult to show people like Princess Diana in later series
By Ben Dowell
Before Netflix swooped to buy the rights to hit drama series The Crown starring Claire Foy and Matt Smith, the BBC was interested in securing the rights to the show.
Andy Harries, the show’s executive producer, spoke to the BBC as well as Sky and ITV before eventually securing a generous bid from the US streaming giant.
It is believed that UK broadcasters, including the BBC, didn’t have the budget to make the sprawling royal drama, said to have cost £100 million for two series.
However, Harries says he believes the most likely British broadcaster – the BBC – would have been the wrong choice even if they were able to match the Netflix bid.
“We will never know, but I think when people see the first series of The Crown they could think, ‘It could have been on the BBC’.
“Well, yes, the 1950s is quite a long long time ago. But it’s going to get a lot more interesting in series three and four when we’re into Diana, we’re into Mrs Thatcher and we’re into all the contemporary issues that all of us remember from the last ten or 15 years. Who knows how the sensitivities of how those scripts would have fared with the closeness of the BBC and the Palace?”
The new series is set in the early 1960s and will show cracks in the marriage of the Queen and Prince Philip, with Claire Foy’s monarch telling her husband that he is not sufficiently supportive. Continue reading The Crown producer says “sensitive” BBC would have struggled to air show